AVEDIS AUDIO 2-SPACE Dual Module Slot Rackmount Rack 500 52 R52

( Brand: Avedis Audio ), ( Part Type: Module Rackmount Rack )

Review AVEDIS AUDIO R52 Dual Module 500 Slot Rackmount Series 52 Rack

The R52 Dual Module 2-Space 500 Slot Rackmount Audio System, manufactured by Avedis, is an impressive and versatile piece of audio equipment. This 500-slot rackmount system is designed to accommodate up to two dual-width modules, providing ample space for a variety of audio components.

The R52 is constructed with high-quality materials, ensuring durability and reliability in a professional setting. Its 2U height allows for easy integration into any existing rack setup, while its 500-slot capacity offers extensive expansion possibilities.

The system's dual module design allows for the simultaneous use of two different audio units. This could be anything from high-end preamps, equalizers, compressors, and effects processors. The 500-slot design further allows for the integration of various digital audio workstations, processors, and other audio devices.

The R52's rackmount design ensures optimal airflow and temperature control, preventing overheating and ensuring the longevity of the integrated components. It also provides a clean and organized look, making it easy to identify and access each component.

In summary, the R52 Dual Module 2-Space 500 Slot Rackmount Audio System by Avedis is a powerful and flexible audio solution for any professional or semi-professional audio application. Its capacity for expansion, versatility, and durable construction make it an excellent investment for any studio or live sound setup.

1. Expandability: The R52 has a 500 slot rackmount design, allowing you to add or remove modules as needed to customize your setup to fit your specific audio needs.

2. Durability: Rackmount systems are built to withstand the rigors of professional use, making the R52 a reliable choice for long-term use in a studio or live performance setting.

3. Versatility: The R52 can be used for a variety of audio applications, including mixing, recording, and live sound.

4. Space-saving: The R52 takes up less space than traditional audio equipment, making it an ideal choice for studios with limited floor space.

1. Cost: Rackmount systems can be expensive, and the R52 is no exception. The cost of the R52, as well as the cost of any additional modules, may be a significant investment for some users.

2. Learning curve: Rackmount systems can have a steeper learning curve than traditional audio equipment, as they require users to understand how to configure and operate multiple modules.

3. Complexity: The R52 is a complex piece of equipment, and users may find it overwhelming at first. It may take time to become comfortable with using the R52 and its various features.

The R52 Dual Module 2-Space 500 Slot Rackmount Audio from Avedis is a powerful and versatile option for audio professionals who require a high level of customization and expandability. While it may be more expensive than traditional audio equipment, the R52 offers numerous benefits, including durability, versatility, and space-saving capabilities. However, users should be prepared for a potential learning curve and the complexity of operating a rackmount system. Ultimately, the R52 is an excellent choice for professionals who require a high-performance audio solution.

If you are in the market for a rackmount audio system, the R52 Dual Module 2-Space 500 Slot Rackmount Audio from Avedis is a solid option to consider. However, before making a purchase, be sure to research the specific modules that you need and compare their prices to ensure that the R52 is the best fit for your budget and requirements. Additionally, take the time to familiarize yourself with the operation of the R52 and any additional modules you may need to ensure that you are making the most of your investment.

Details:

There is another option to run them in quad, using lower resistor values. 25 weight 7 lbs.

5k ohm secondary the input impedance of 550a b should do fine. For this option.

The price is about the same as a lunchbox or 6 space rackmount.

46 dimensions 19 x The 48v phantom power is on pin 15, a pin that goes nowhere in an equalizer. A good quality 1/1 transformer that behaves well with an 18.

I have some old bar racked 312's. And remember that it's not something you want to change every week because you cannot plugin other standard sized modules. If the 48v does dim after you put in an eq, or preamps for that matter, then turn off the r52 and remove the module. This is usually not a problem when interfaced with something which has a transformer output, like a 312a or 512c mic preamps.

Also, phantom power will have to be disconnected Incas someone does put in a preamps and accidentally engages phantom power, sending 48vdc through the secondary of the transformer. Would you not pay a little extra if you were told the quality and serviceability would be better can I link up two eq's and use it as a 6 band yes, good idea.

One exception known there were a small number of 560a at graphic eq's, mostly from the 80's, which used pin 15 for external gain. Then turn the r52 back on and if the light is back on again, then something is not right with the module. Good transformers are not inexpensive, but it is the best solution for the best sound. The extra cost would be a good transformer will interface with both balanced and unbalanced gear, capable of handling high levels, and maintain excellent common mode rejection.

One option and recommendation would be made by Jensen transformers in their pi 2x if you are looking for an external transformer unit. Can I connect two mic pre's together not a good idea.

And manufacturing quality gear cannot be made cheaply. Be sure to check for proper continuity and or resistance on the cables, tie lines and patch bays before engaging phantom power.

Another option is to have us mount Jensen transformers inside the r52, which was designed to accommodate this if needed. Only preamps use that pin.

But the r52 is not a lunchbox and it fills a different need.

Older 525's will need to have pin 7 connected together through a resistor, but only if repining correctly since the 525 originally had a different pint than the equalizers. But adding the transformer to the input will only make the r52 for equalizers that are unbalanced and you cannot use your preamps. But don't do it anyway because it serves no purpose. Sometimes the tie lines or the patch bay in the studio can have a short in the cables and phantom will not work although the green led may still be illuminated.

Will they work with this rack because these preamps were built using older cards, the ones with the input transformer part ap2622 is too tall to be properly plugged into the r52 because the top of it prevents the connectors to meet. It is a good idea to cut this pin on the circuit board to prevent damage to the unit.

After you are sure it's secure, turn it on and look for all three led's to be on.

You can do things like cut 200hz and boost 63hz, or cut 12khz while boosting 24khz.

Once the link is engaged, channel 2's input is disconnected.

While many electronic components are made in other countries, there's no reason why everything else can't be made and assembled here in the USA. I'm planning on using 550a's for this rack and heard of the inputs being unbalanced. How do you fit a 512c mic pre the 512c's transformer has some rather bulge wires that need to be pushed down and squeezed into the r52's slot. We chose us made parts and electronic components whenever possible.

The last green led is for phantom power.

part #: 2-space price

• $895.00

specifications signalprocessorgo:

• brand: Avedis Audio
• part type: Module Rackmount Rack

Offer:

• # Sold: 0
• Started: December 16, 2014, 5:10 pm
• best offer: true
• quantity: 5
• # bids: 0

Shipping:

• type: Calculated
• handling: 1 days

Ratings:

1. Awesome support! Will buy from again. 12-12-14
2. Quick delivery, accurate . Will most likely buy from them again! 12-16-14
3. Great transaction and communication! Will do business again, A++++ 12-16-14
4. thanks good seller 12-13-14
5. Will do business with again. 12-11-14

Seller:

• zipcode: 33563
• city: Plant City, Florida

Returns:

• paid by: Buyer
• policy: returns accepted
• time: 14 Days
• type: Money back or replacement buyer's choice

Payments:

• PayPal

General:

• Musical Instruments & Gear > Pro Audio Equipment > Signal Processors/Rack Effects
• condition: New
• in stock: Yes

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