ANTARES AMM-1 Processor Microphone Modeller 995.00

( Brand: Antares ), ( Model: AMM-1 ), ( Part Type: Processor Microphone ), ( Features: Active )

Review ANTARES Processor 995.00 Microphone Model Ler Msrp

The Antares AMM-1 Processor, priced at $995.00, is a remarkable addition to any audio engineer's arsenal. This microphone modeller is not just a tool; it's a virtual studio, capable of recreating the distinctive sounds of a wide range of classic microphones.

The AMM-1 boasts an impressive library of models, each meticulously crafted to emulate the character and tone of its real-world counterpart. From the warm, rich sound of a vintage ribbon microphone to the crisp, detailed sound of a modern condenser, the AMM-1 allows you to choose the perfect sound for your recording.

The AMM-1 is not just about emulation, though. It also offers a wealth of customization options, allowing you to fine-tune the sound to your exact specifications. You can adjust parameters like proximity effect, tube warmth, and mechanical noise, giving you the power to create truly unique sounds.

The AMM-1 is designed with ease of use in mind. Its intuitive interface makes it simple to navigate, even for those who are new to microphone modeling. And with its high-quality AD/DA converters and low-latency processing, it delivers exceptional audio quality, making it an indispensable tool for both professional studios and home recording enthusiasts.

In summary, the Antares AMM-1 Processor is a versatile and powerful microphone modeller that offers unparalleled sound quality and customization options. Its impressive library of microphone models, user-friendly interface, and high-quality components make it an invaluable tool for any audio engineer. At $995.00, it may be an investment, but for those who value the best in audio technology, it's a small price to pay for the sonic possibilities it unlocks.

1. Versatility: The Antares AMM-1 offers a wide range of microphone emulations, allowing you to replicate the sound of various high-end microphones without the need to physically own them.

2. High-quality sound: Antares is known for its sound quality, and the AMM-1 delivers on that reputation. It provides accurate and detailed emulations of different microphones.

3. Convenience: The AMM-1 is a digital solution, which means it's portable and easy to use. It doesn't require additional space for physical microphones and can be used in various recording environments.

4. Customization: The AMM-1 allows for significant customization, allowing you to adjust the sound to your liking.

1. Cost: At $995, the AMM-1 is a significant investment, which may be a barrier for some users.

2. Learning curve: As with any digital audio tool, there may be a learning curve involved with using the AMM-1 effectively.

3. Dependence on software: Since the AMM-1 is a digital solution, it relies on software, which means you'll need a reliable computer and DAW (Digital Audio Workstation) to use it effectively.

In conclusion, the Antares AMM-1 Microphone Modeler offers a powerful and versatile solution for microphone emulation, with high-quality sound and significant customization options. However, the high cost and potential learning curve may be a barrier for some users. If you're willing to invest in this tool and can afford the cost, the AMM-1 can be a valuable addition to your recording setup. If you're looking for a more affordable option, there are other microphone emulation plugins available on the market. Ultimately, the best choice depends on your specific needs and budget.

Details:

However, this is far from excessive and will probably not cause a problem for most users. Once a source model has been selected, you select the degree of proximity effect to correct for if a pressure gradient mic has been used, and you also select which filter setting and polar pattern were used on the source mic. Yet another note the two inputs will not mix two signals. This should not be a problem if using aux sends, but the insert points of many mixers may well under drive the amm1's analogue inputs the specifications state they are calibrated for peak levels of the leftmost switch powers the unit, although it does not provide isolation from the mains as only low voltage ac reaches the box.

It has since won a etc award and has become a highly popular and useful tool in a broad range of recording and post production applications. The rear panel of the 1u, 150mm deep amm1 case boasts a promising selection of interfaces. Once the microphone model ling has been set up, valve saturation can be dialled in to emulate the effects of a high quality valve pre amplifier. The bottom line is that the amm1 works in these applications, and works well.

Antares amm 1 microphone model error back panel 1 balanced line inputs can be 1/4 inch trs tip ring sleeve phone, 1/4 inch gifts tip sleeve phone or female XLR. Also note if you use a 1/4 inch gifts plug, the input will of course not be balanced. An important note here is that the level control is after the converter, so optimising the conversion process rests with the send level from the mixer. I'd say that, where recordings have been close miked to minimise off axis sound, the amm1 will prove acceptably convincing in simulating a number of the qualities of a more desirable microphone.

The saturation control caters for a range of effects from complete linearity, through gentle 'warming' to fairly aggressive distortion. When the level control is moved the LCD briefly shows the input level in db. Moving left, a quarter inch tip sleeve socket provides a foot switch connection used to bypass the signal processing. 2 line outputs can be 1/4 inch gifts tip sleeve phone unbalanced or male XLR balanced.

Moving around to the front, the amm1 is simply styled, with only a handful of controls and a clear, 20 character, two line LCD screen. The amm1 produces impressive results, but it is not magic and needs to be used carefully. Worth a brief mention is that there is a small processing delay through the machine particularly via the analogue interface, which may need to be addressed in some circumstances. 1 or 48khz.

Next along, a pair of XLR sockets provide AWS EU digital I o interfacing and a software menu determines which AWS channel is processed left or right and what happens to the unused channel passed through unchanged or muted. Setting up the amm1 is a logical enough procedure. 5 midi in connect the midi out from a midi sequencer, or other midi source in here.

The next control is another detentes encoder which alters the amount of emulated valve saturation, and the LCD shows the nominal drive level in decibels whenever the control is moved. Certainly, reading through the expansive list of endorsers on Antares' web site, most describe using the machine as a means of adding colour and interest to recordings and mixes. The quality of the valve distortion may be desirable as an effect in its own right, so it is useful that both source and model led microphones can be set to bypass, leaving the amm1 to serve purely as a valve preamps model ler instead. The amm1 will appeal to a broad range of users first, those who have a few decent mics already but dream of owning a more resplendent mic cupboard secondly, engineers who want an unusual method of adding colour to their tracks and mixes and finally those who would find the ability to replicate the sound of specific microphones very useful.

The lightly detentes rotary encoder, labelled data entry, and the LCD provide the means for parameter adjustment, and the next four buttons access parameters for the source or destination microphone setup. First you determine the signal input source, sample rate and level. There is a considerable variety of mic model's to choose from see 'available model's ' box for further details and a lot of these include variations such as later versions, or with windshields attached. Consistent with the other level controls, moving the encoder displays the amount of output attenuation on the LCD panel.

4 AWS EU digital output provides AWS EU digital output regardless of the input format selection. The results were not identical, but shared enough of a resemblance to the primary characteristics of each mic to be useful bear in mind, of course, that the natural variances of individual microphones with age and abuse would affect the accuracy of the model led mics anyway.

For online owners manual google Antares amm 1 PDF. The Antares amm1 performs exactly the same task as its plug in sibling, namely transforming the sonic characteristics of one microphone into those of another. A pair of five pin din sockets provide midi in and out, although the latter is not currently enabled. Note the XLR input is not a microphone input.

Not currently used. Once the source microphone's details have been entered correctly, the same process is repeated with the microphone to be model led, though here the characteristics are being added rather than removed.

The final control adjusts output level attenuation, again with a detentes encoder. Plugging in a phone plug will disconnect the XLR input. 3 AWS EU digital input connect an AWS EU digital input signal here. The microphone model's incorporate appropriate variables such as low cut filters, delectable polar patterns, and proximity effects, allowing the best possible match with reality.

The final set of connectors are for the analogue interface. The analogue outputs are provided simultaneously on an unbalanced quarter inch socket and a balanced male XLR, as well as through the digital output, which carries the processed signal on the left channel with an inverted opposite polarity version on the right channel. 6 midi out.

A red led illuminates when a digital input is present, and the adjacent rotary encoder adjusts the digital signal level in conjunction with a five segment bar graph meter scaled from 3 to 30db. Balanced line level inputs are accepted through XLR or trs quarter inch jack sockets, the latter taking priority, and the sampling rate can be selected through a menu I set the machine to replicate the Newman using the AK, and vice versa, in each case comparing the output directly with the real thing. To assess the amm1, I experimented with an AK c414 URLs and a Newman u87 mic, both mounted close to the same sources voice, guitar, and a loudspeaker replaying a variety of more complex signals.

Similarly, if the source mic employed a low cut filter, and the model led mic does not, the overall bass boost applied through the two model ling processes may result in an appreciable noise contribution. While powering up, the machine automatically detects whether a normally closed or normally open switch is attached. A line level signal is required. There is also a source model ling bypass mode available, for when a DI box or pickup has been used, and an a b compare function enables the comparison of two selected source model's.

The latter is an extremely powerful function as it recalls not only microphone makes and model's, but also relevant low cut, proximity and pattern settings, and is very useful when trying to find the best match of settings if your specific model of microphone is not in the list of those supported in the software. Bypass can also be activated by foot switch or via midi, the led illuminating in all three cases. A wide button below two red leds selects either the source or model led microphone for editing and two similar buttons to the right, labelled preserve source, allow the treble or bass portion of the source signal to be passed through the unit without being processed. For example, if the original signal was recorded with a distant unidirectional microphone, picking up a lot of room sound along the way, using the amm1 to model a directional microphone will not help remove this room sound.

A pair of wide black buttons to its right engage the system edit mode and impose an overall bypass both have red leds to warn when these functions are active.

specifications signalprocessorgo:

• brand: Antares
• model: Amm-1
• part type: Processor Microphone
• features: Active

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• policy: no returns

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• quantity: 1
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• Started: January 3, 2015, 2:47 pm
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• city: Madison, Tennessee
• zipcode: 37115

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1. Perfect! 01-02-15
2. Excellent. Fast payment, great communication. 01-01-15
3. Thank you for an easy, pleasant transaction. Excellent buyer. A++++++. 12-30-14
4. Good buyer, prompt payment, valued customer, highly recommended. 12-15-14
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General:

• in stock: Yes
• Musical Instruments & Gear > Pro Audio Equipment > Signal Processors/Rack Effects
• condition: New other see details

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