ADL C101218BROOKLYN Opus Optical Compressor

( Brand: Adl ), ( Manufacturer Part Number: C101218BROOKLYN ), ( Part Type: Compressor )

Review ADL Opus Optical Compressor

The Brooklyn AdL Absolute Duo Opus Optical Compressor (C101218) is a remarkable piece of audio equipment designed for professionals and enthusiasts alike. This compressor, a part of Brooklyn's prestigious Absolute Duo series, is renowned for its unique optical compression technology.

The Opus Optical Compressor boasts a near-transformerless circuit design, which ensures a more natural and organic sound. The optical compression mechanism uses a specially designed photocell to control the gain reduction, resulting in a smooth and musical compression that preserves the original character of your audio signal.

The unit features a high-quality VU meter, providing real-time visual feedback on the compression ratio and gain reduction. The meter, along with the unit's intuitive controls, allows you to easily dial in the perfect amount of compression for your specific application.

The Brooklyn AdL Absolute Duo Opus Optical Compressor is built to last with its robust, all-metal chassis and high-quality component selection. It accepts both balanced and unbalanced inputs and outputs, making it compatible with a wide range of audio equipment.

In summary, the Brooklyn AdL Absolute Duo Opus Optical Compressor (C101218) is a versatile and high-performance compressor that delivers smooth, musical compression with a natural sound. Its optical compression technology, intuitive controls, and robust construction make it an excellent choice for studio professionals and enthusiasts looking to enhance their audio recordings.

1. Authentic Optical Compression: The Opus compressor uses an all-analog optical design, which provides a warm and smooth compression effect, similar to vintage optical compressors.

2. Versatility: The Opus compressor can be used on various sources, such as vocals, guitars, drums, and even entire mixes. It can be used for both subtle compression and more aggressive dynamics control.

3. High-Quality Build: The Opus compressor is built with high-quality components and a sturdy metal chassis, which ensures long-term reliability and durability.

4. Easy to Use: The Opus compressor has a simple, straightforward interface that makes it easy to use, even for beginners.

5. Wide Frequency Response: The Opus compressor has a wide frequency response, which allows it to handle a wide range of audio sources without sounding harsh or distorted.

1. Price: The Opus compressor is a high-end compressor and is more expensive than some other compressors on the market.

2. Limited Controls: The Opus compressor has fewer controls than some other compressors, which may limit its versatility for more advanced users.

3. Lack of Digital Features: The Opus compressor is an all-analog compressor and does not have any digital features, such as a display or presets, which may be preferred by some users.

4. Size and Weight: The Opus compressor is a larger and heavier unit compared to some other compressors, which may make it less portable for some users.

The C101218 Brooklyn ADL Opus Optical Compressor is a high-quality, all-analog compressor that provides a warm and smooth compression effect. It is versatile and easy to use, making it a great option for both beginners and more advanced users. However, its price and limited controls may be a drawback for some users. Ultimately, whether or not the Opus compressor is the right choice for you depends on your specific needs and budget.

If you are looking for a high-end, all-analog compressor with a warm and smooth compression effect, the C101218 Brooklyn ADL Opus Optical Compressor is a great option to consider. However, if you are on a tighter budget or prefer more digital features, there are other compressors on the market that may be more suitable for your needs. I recommend doing some research and comparing different compressors to find the one that best meets your specific requirements.

Details:

The heart of opus-3 is our custom hand matched optical attenuate, same one found in world renowned 1000 mono and 1500 stereo limiters. Sharp transients may cause clipping and are capable of appearing or riding above RMS best served by the limit setting. Set to output, the gr output switch meter will indicate overall level from rear XLR input.

For mono use, simply return both switches to the setting. Set to gr the meter will start at zero VI and move toward left side as peak reductions is increased. Merchandise and packaging must be in the same condition as when received.

Peak reduction starts when the input level cross compression threshold. Compression is a function of the amount both gain and peak reduction.

Stereo linking, connect both units via a 1/4 guitar cable 12 long and switch in the up position. Controls gain continuously variable, the amount of level at output XLR located on rear panel.

Normal pad switch attenuates the level or gain from input XLR to audio transformer by 14 db prevent distortion clipping. Peak reduction continuously variable, controls the amount of compression. Reducing RMS or overall loudness is best served by the compression setting. Increasing compression typically requires an increase of gain referred to as make-up.

New merchandise carries the original warranty issued by manufacturer. Stereo mono switch two opus-3 limiters can either be configured as a pair or independent channels.

The amount of level is visible on meter when gain rotated clockwise and gr output switch set to output stereo link jacks are located rear panel. For instance, disconnecting from a line level source typically operating at 4 db and connecting to hotter guitar amplifier would require this pad.

The VI meter typically indicates two types of levels, RMS root mean squared and peak. When a desired amount of compression is reached, switching back to output may indicate lower level and require more or make-up gain.

The opus-3 is an all discrete solid-state design commonly referred to as a fixed gain circuit. The amount of meter deflection is commensurate with peak levels.

The opus-3 has many practical application allowing engineers and record producers flexibility in studio.

RMS is a combination or average of all the wave forms displayed on VI meter and function loudness music.

Gr output switch two position linked to the VI meter indicating either amount of level or peak reduction Adl opus 3 optical compressor opus-3 broadcast discrete attenuate limiter is a close cousin our world famous vacuum tube1000 and limit compression changes sonic characteristics compressed signal by changing ratio. Peaks or transient spikes are not average and can quickly distort great performances.

Finding a happy medium or sweet spot between the amount of gain and peak reduction is subjective according to your personal musical taste. An increase in gain will allow for more sensitivity to the peak reduction circuit prompting compression. Although time consuming, choosing identical parts results in consistency and reliability for all our valued clients, engineers producers.

Meter level will change according to the amount of gain and compression.

Meter motion will appear to bounce toward the right side according varying levels or gain. Zero VI is equal to 4 DBMS on the output XLR.

specifications signalprocessorgo:

• brand: Adl
• mpn: C101218brooklyn
• part type: Compressor

Payments signalprocessorgo:

• PayPal

Ratings:

1. Great seller and lighting fast shipping AAAAA 08-14-17
2. Great seller, quick shipping! 08-14-17
3. great deal!!! great service! 08-14-17
4. great seller! A 08-14-17

General signalprocessorgo:

• Musical Instruments Gear > pro Audio Equipment > signal Processors
• condition: Used
• in stock: Yes

Shipping signalprocessorgo:

• handling: 1 days
• cost: $0.0
• type: Flat

Offer signalprocessorgo:

• Started: August 14, 2017, 11:51 am
• Sold: 0
• quantity: 2
• best offer: false
• bids: 0

Returns signalprocessorgo:

• time: 30 Days
• paid by: Buyer
• policy: returns accepted
• details: Refunds are issued within 30 days of the date the customers order is received. Merchandise and packaging MUST be in the same condition as when received. Alto Music reserves the right to refuse any return if it appears the item has been used. The customer is responsible for return shipping costs. If the customers order included free shipping, the customer will be refunded order amount, less Alto Musics original shipping cost. Items that have shipping charges will be refunded minus the original shipping costs charged to the customer. There are absolutely no refunds for the following items: Software if unsealed or registered Sheet Music Books DVDs Videos CDs Harmonicas, Mouthpieces, Earbuds/Earphones if unsealed, or any item that may come in contact with the mouth, ears or nose. Used merchandise carries a 30-day warranty through Alto Music, unless otherwise specified. New merchandise carries the original warranty issued by the manufacturer. There are no warranties for the following items: Strings Drumheads Drum Sticks
• type: Money Back

Seller signalprocessorgo:

• city: Middletown, New York
• zipcode: 10940

Adl C101218BROOKLYN Is Similar To:

• Adl700 Presonus Adl 700 Channel Strip Tube Mic Pre Compressor Eq New In Box 67345400186 (19.8% similar) Prisons Adl 700 channel strip, tube mic pre, compressor, eq new in box. Amazing front end to a project setup or a perfect addition to any serious studio. Opened only to show contents never taken out of plastic. Wonderful channel strip. Designed for prisons by audio guru Anthony Maria...(October 8th, 2015)