
( Brand: Aphex ), ( Manufacturer Part Number: EXBB-500 ), ( Part Type: Bottom )
The Aphex Exciter Big Bottom, model EBB 500 Aural Exciter, is a unique and powerful audio enhancement tool designed by Aphex Systems, a renowned name in audio processing technology. This device is specifically engineered to add warmth, presence, and depth to your audio output, making it an ideal choice for music producers, sound engineers, and audio enthusiasts alike.
The EBB 500 Aural Exciter Big Bottom is a type of equalizer, but unlike traditional equalizers, it doesn't operate by cutting or boosting specific frequencies. Instead, it uses a process called harmonic enhancement, which adds harmonic content to the audio signal. This process can make the sound more natural, full-bodied, and engaging, especially in the low-end frequencies.
The Big Bottom feature is particularly noteworthy. It focuses on enhancing the sub-bass frequencies, which are essential for creating a sense of depth and power in music. By boosting these frequencies slightly, the EBB 500 can make your audio sound more robust and impactful, without causing it to sound muddy or distorted.
The Aphex Exciter Big Bottom is also known for its simplicity in use. It has just two controls: one for the overall level of excitation and another for the Big Bottom effect. This makes it easy to dial in the perfect amount of enhancement for your specific audio source.
In summary, the Aphex Exciter Big Bottom EBB 500 is a versatile and powerful tool for enhancing the audio quality of your music or other audio content. Its unique harmonic enhancement process can add warmth, presence, and depth, while its Big Bottom feature can boost the sub-bass frequencies for a more impactful sound. With its simple controls and rugged construction, the EBB 500 is a reliable choice for any audio professional or enthusiast.
The Aphex Exciter Big Bottom (EB-500) is a high-end audio processor designed to enhance the low-end frequency response of audio signals. Here are some pros and cons to consider before making a purchase:
Pros:1. Improved bass response: The EB-500 adds low-end frequency content to audio signals, resulting in a fuller, more balanced sound.
2. Tone shaping: The unit offers a variety of adjustable parameters, allowing you to tailor the low-end response to your specific needs.
3. High-quality construction: The EB-500 is built to last and features robust components, ensuring reliable performance over time.
4. Versatility: The EB-500 can be used in various applications, including music production, live sound reinforcement, and film/TV post-production.
Cons:1. Cost: The EB-500 is a high-end audio processor and comes with a hefty price tag.
2. Complexity: The unit features a number of adjustable parameters, which may require some technical knowledge to use effectively.
3. Size and weight: The EB-500 is a large and heavy unit, which may be impractical for mobile or portable applications.
Conclusion:The Aphex Exciter Big Bottom (EB-500) is a powerful and high-quality audio processor that can significantly improve the low-end response of audio signals. However, its high cost and complexity may make it a better fit for professional studios or high-end home audio systems. If you are looking for a more affordable and user-friendly option, there are other audio processors available that may better suit your needs. Ultimately, the decision to purchase the EB-500 should be based on your specific audio requirements and budget.
Big bottom drive control and indicator the allows you to adjust the input signal required for work effectively. Martin Frederick's: songwriter-singer-producer azimuth mick Jagger, oozy Osborne, Sheryl crow about Aphex throughout its history, Aphex design philosophy was based on what they could create that nobody else already had. Process on off buttons these lighted buttons allow you to turn each processor and individually.
Great little unit. Big bottom frequency control the control let's you optimize the bass enhancement band.
The aural exciter and big bottom technologies explained the is an audio processor that recreates restores missing harmonics. Switching the process button back and forth offers a quick b comparison, allowing you to hear enhancements from aural exciter or optical big bottom separately in your program content. Selling out the studio and everything must go. Note: this is not a hardwired bypass.
WHO's using Exiling parsons: engineer-producer-musician Beatles, pink Floyd, Alan parsons project my career has always been reinforced by technical innovation and a critical knowledge of available technology. Wait for it. Unlike Esq and other brightness enhancers, which only boost the high frequencies, aural exciter extends frequencies without altering overall tonal balance. Aural exciter frequency control the control adjusts the corner of high pass filter, thus setting range frequencies being enhanced by.
Aural exciter amount control this control varies the of enhancement mixed back into original signal from side chain. The aural exciter adds harmonics, restoring natural brightness, clarity, and presence, effectively improving detail intelligibility. The stereo image is enhanced with aural exciter, resulting in a greater perceived loudness without an introduction of noise into audio path. A minute of finished recorded time.
As mentioned above, the unit splits input signal into two paths. In the recording studio, post production suite or similar environment, processing of previously recorded sound tracks can restore lost vibrancy and realism, even to extent saving dialog effects which were thought be unusable. The result is a more predictable and natural-sounding enhancement over wider range of inputs.
Big bottom amount control the control adjusts the of enhancement being added to original signal lower setting, subtler effect, higher more dramatic effect. That means loudspeakers and amplifiers will not be overdrive, even though the bass has been extended increased in power. The audio still passes through input and output stages but enhancement side chains are turned off. Big bottom increases the perception of low frequencies without significantly increasing maximum peak output.
The green led indicator above drive control pulses on bass peaks as you turn clockwise, helps find optimum level. Dray, legendary. The ex bb aural exciter is also an ideal solution for breathing life into bit-rate reduced recordings and other compressed audio files.
The aural exciter and big bottom are smart circuits, analyzing audio signal in real-time. The buttons glow green when processing is on. Any instrument, such as a guitar, processed through the aural exciter circuit will have greater penetration, crispness and clarity. For vocals and dialog, it increases intelligibility as highlights the edges of consonants.
In the 70s, this album was recorded using Aphex aural exciter appeared on albums of recording artists such as Jackson Browne, four seasons, Linda Ronstadt, and James Taylor. High-frequency eq, on the other hand, not only increases sibilant vocals, it also takes up more room in a mix, since boosting amplitude, and thus reducing headroom. Legendary audio enhancement close to a million Aphex aural exciters have been used in recording studios, broadcast facilities, concert arenas, musicians equipment racks, DJ systems, houses of worship, auditoriums, theaters and sports venues.
First emerging in the 70s as a secret weapon for making an instrument, vocal, or mix sparkle, original Aphex aural exciter was rent only at. Its at the heart of great sounding voice-overs and mixes in rock, pop, jazz, classical every other genre modern music. Wait for it. The aural exciter circuit applies frequency-dependent phase shift and transient discriminate harmonics.
In nature, the higher amplitude, amount of harmonics. Reproduced sound is audibly different than the original live because of loss in harmonic detail, often sounding dull and lifeless. One of the benefits big bottom is that it can increase bass power without greatly increasing peak output level. The bass frequency response is dynamically optimized to isolate and enhance lowest frequencies provide a deeper more resonant.
Recording, project and post production studios the aural exciter was born in recording studio, its legacy can be heard on thousands of legendary recordings bearing unmistakable Aphex sound. The range is from 50hz to 200hz.
Reading the audio signal and adjusting in real-time is secret to musical performance for any or recording system outside box the ex bb 500 aural exciter offers discrete tune, harmonics mix controls mid high-frequency enhancement, while 500s big bottom features drive controls, enabling you dynamically enhance low frequencies. It elevates the source without adding unwanted level or inducing distortion into signal chain. Extreme settings will increase the peak output level significantly. Using big bottom on bass instruments tightens the sound, allowing individual notes to be more articulated and recognizable.
The Aphex ex bb 500 aural enhancer big bottom makes mixing easier and more rewarding. It should be pointed out that the aural exciter is a single-ended process can inserted at any point within audio chain. Increased harmonic detail enables specific instruments to stand out in the mix, offering a more live or spacious sound. Configure a rack of ex bb 500 modules to suit your mixing needs.
The Aphex aural exciter stands near top of that list. Specific instruments pop out in the mix, giving instrument its own sonic identity without raising volume of mix. Use the aural exciter and big bottom in place of equalization whenever possible. Big bottom resembles the aural exciter in that a processed signal is mixed back into an unmodified to produce enhanced output.
Thanks to its 500-series form factor, Aphex ex bb 500 gives you the ability configure number of channels need. The min position is useful for voices and total mixes. Instead, the ex BBS un distorted signal maintains a clear and balanced sound all without influencing big bottom smart processor. The legendary Aphex aural exciter and big bottom come to 500-series format ex bb 500 is a version of popular processors.
Per recorded minute of music. Aphex first innovation was the aural exciter, which initially only for rent at 30. They are dark when processing is off. When used at nominal settings, the aural exciter circuit does not add significant level to original signal.
At center, you are tuned to about 80hz, which is, coincidentally, where kick drum lives. Here are the details: Aphex ex bb 500 aural exciter and big bottom processor the is going to be legend. Real-time processing provides the optimal amount of required for given moment in signal, regardless signal or file type and quality. It remains one of the leading audio enhancement devices worldwide for voice, music, communications and more.
Using the aural exciter on specific instruments or in final mix brings life back to recording. Imaging is improved with an open airy quality. The max position is most useful on specific tracks, especially percussive instruments, horns, guitars and digital instruments.
Single-ended means that the unit will receive incoming audio signal, process program material through Aphex patented aural exciter big bottom technology, then output effected signal with no further processing required to achieve desired qualities. The side chain path goes through big bottom circuitry, comprising a variable low-pass filter plus phase and dynamics processor. While very few pro audio devices have actually earned the title, legend.
The aural exciters patented technology has often been imitated but never duplicated. The ex BBS aural enhancer opens up sound, making it more spacious and clear. You'll also find the aural exciter in TV and film post-production suites world over.
The range of corner frequency is 600hz to 5khz. The advantage of using ex bb aural exciter processor over high-frequency eq is that with you can bring vocals and instruments, such as 12-string guitar, forward in a mix without harshness or throwing natural waveform instrument out phase. It controls the texture and detail of effect. Even though the added information is low in level, perception a dramatic increase mid and high frequencies.
The same holds true for ex BBS big bottom enhancer. Live sound, houses of worship and more the ex bb 500s aural exciter optical big bottom provide all same benefits to worship, communications public address systems. For individual sources or entire mixes, the aural exciter brings out detail, clarity, and imaging. Instruments and vocals can be made to stand out in the mix without substantially increasing levels or using equalization.
Their equipment is absolutely top of class and commitment to innovation performance the reason I m part Davis advisory board. Call or chat with an rape representative today. Harmonics are musically and dynamically related to the original sound, revealing fine differences between voices various instruments.
Aphex has been in my rack for decades. The ex bb 500 also incorporates another exclusive Aphex patent, big bottom, providing a stronger, more powerful bass, plus increased sustain and density without an increase in peak output. Rape carries every 500-series module imaginable, including mic preamps, compressor-limiters, equalizers, and 500 power racks.
Fast-forward to today, its latest incarnation, the ex bb 5 provides performance of Aphex aural exciter in a convenient and affordable mono 500-series module. The output of aural exciters harmonic circuit is mixed back with unmodified signal, but much lower in level. Works perfectly. Big bottom provides more feeling, resembling a live sound.
Big bottom circuitry dynamically contours the bass response of a complex range shapes in 50hz to 200hz.