( Brand: Fmr Audio ), ( Manufacturer Part Number: RNLA7239 ), ( Model: V0.60 ), ( Part Type: Amplifier Compressor ), ( Effect/enhancement: Compression/limiting ), ( Form Factor: Tabletop ), ( Frequency Bands: Not Applicable ), ( Features: Active )
The RNLA7239 RNLA Amp Leveling Audio Compressor is an outboard analog device designed for professional audio engineers and music producers seeking to add warmth and character to their recordings. Version 0.60 of this FMR Audio product boasts improved performance and functionality, making it a valuable addition to any studio setup.
Crafted with high-quality components, this compressor offers a genuine analog sound that's hard to replicate digitally. It features a vintage-style control layout, making it easy to use while providing users with a wide range of options to shape their audio.
The RNLA7239 sports a single-knob compression design, allowing users to control the amount of compression applied to their audio signal with ease. The knob adjusts both the threshold and ratio, offering a versatile solution for compressing different types of sounds.
This analog compressor also includes a unique "Attack to Release" (ATR) control, which allows users to adjust the release time based on the attack setting. This feature ensures that the compression reacts naturally to the source material, resulting in a more organic and musical sound.
FMR Audio's RNLA7239 Amp Leveling Audio Compressor is a versatile tool for audio professionals. Its outboard design allows for easy integration into existing studio setups, while its vintage-inspired sound and advanced control features offer a wealth of creative possibilities for shaping and enhancing audio recordings. Whether you're working on music production, film sound design, or broadcast audio, this compressor can provide the warmth, character, and control you need to bring your recordings to life.
Pros of buying a RNLA7239 RNLA Amp Leveling Audio Compressor:1. Analog Compression: The device uses an analog compression process, which can add warmth and character to your audio.
2. Outboard Design: The outboard design allows for easy integration into your existing recording setup and provides a separate hardware control over the compression process.
3. Adjustable Thresholds: The compressor features adjustable thresholds, allowing you to fine-tune the compression to your specific needs.
4. Variable Attack and Release Times: The variable attack and release times allow for more precise control over the compression dynamics.
5. High-Quality Build: The device is built with high-quality components, ensuring durability and reliability.
Cons of buying a RNLA7239 RNLA Amp Leveling Audio Compressor:1. Price: The device is relatively expensive compared to digital compressors.
2. Limited Features: Compared to digital compressors, the RNLA7239 has a limited number of features, such as no side-chain input or multi-band compression.
3. Size and Weight: The device is larger and heavier than some digital compressors, which can make it more difficult to transport.
Conclusion:The RNLA7239 RNLA Amp Leveling Audio Compressor is a high-quality analog compressor with adjustable thresholds, variable attack and release times, and a durable build. While it is more expensive than some digital compressors and lacks some features, its analog compression process can add warmth and character to your audio. If you are looking for a high-quality compressor to add to your recording setup and are willing to invest in an analog device, the RNLA7239 could be a great choice. However, if price is a concern or you require more advanced features, you may want to consider a digital compressor instead.
Recommendation:If you are looking for a high-quality analog compressor and have the budget to invest in one, the RNLA7239 RNLA Amp Leveling Audio Compressor could be a great choice. Its adjustable thresholds, variable attack and release times, and durable build make it a versatile and reliable device for your recording setup. However, if price is a concern or you require more advanced features, you may want to consider a digital compressor instead.
What's the old saying what's old, is new again the implementation is a little different.
2 SEC to 200msec for 100 correction with.
Rnla leveling amp this is a new Fmr Audio rnla really nice levelling amplifier. Made in the USA. 5db debacle point 5dbu 3 Thad, 1khz, greater than 2k ohm load distortion less than RMS dub nominal for 22 db headroom no opt from the 1984 version, but the final sound is eerily similar.
This is the latest version of the awesome rnla with the sleek new look. SEC attack,. There's something about it that sounds punchier and more aggressive khz, 6 1, 6. 1, no gain reduction 1 khz, dub less than 0.
The really nice levelling amplifier rnla is a compressor, of sorts, with a character that works well with vocals, bass guitar, acoustic guitars and two mix sources. However, just like trying to throw away a ball of adhesive tape, this one has also stuck with to us. The sonic performance of the rnla hearkens back to the really nice compressor's NRC's origins.
A friend describes the rnla's tone as thick and gooey RMS 4 dub nominal for 18 db headroom noise less than 90 dub over 20 20k Hz typically 95 dub over 20 20k Hz frequency response 100k Hz the original NRC was, in fact, based upon an optical gain element that was ultimately rejected and tucked away due to its imparting of a sonic signature. Release, db gain, range 40dbu to 20 Debra range 1/1 to 25 1 attack range. Technical specifications size 1/3 x 1 IA rack unit connectors left right 1/4 unbalanced inputs ts, or trs for console inserts left right 1/4 balanced, single ended outputs trs and displays rotary threshold, ratio, attack time, release time, output level switches bypass, mode select meter 8 segment led gain reduction, 16 db modes normal provides fast attack release log rel provides release envelope acceleration to aid maintenance of transient punch operating level 0.
Condition new in box what we like we love the rnla even more than the NRC.