( Brand: Looperlative ), ( Model: LP-1 ), ( Type: Looper )
The Looperlative LP-1 Looper Track is a versatile and powerful loop station designed for musicians, producers, and sound designers looking for an advanced looping tool. This device is built with a robust metal chassis, giving it a solid and durable feel, making it perfect for live performances or studio sessions.
The LP-1 features four independent loop tracks, each with its own level, pan, and effects control. This allows for complex, multi-layered loops, making it an excellent choice for music producers and live performers who want to create rich and intricate soundscapes. The tracks can be controlled individually using the four dedicated track buttons, and the loop length can be adjusted on the fly using the time division controls.
The device features high-quality audio inputs and outputs, including two XLR inputs for microphones, two line inputs, and two line outputs. Additionally, the LP-1 has a headphone output, MIDI in and out ports, and a USB port for connecting to a computer. This versatility makes it a great choice for a wide range of instruments and applications.
The Looperlative LP-1 also comes with a range of built-in effects, including delay, reverb, and distortion, which can be applied to each track independently. The effects can be adjusted in real-time using the dedicated effect controls, allowing for creative and expressive performances.
The device has a clear and intuitive LED display, making it easy to see what's happening at a glance. The controls are well-laid out, with large, easy-to-use buttons and knobs, making it simple to navigate even in the heat of a live performance.
Overall, the Looperlative LP-1 Looper Track is a powerful and versatile loop station that offers a wealth of features and capabilities. Its robust construction, high-quality audio inputs and outputs, and built-in effects make it an excellent choice for musicians and producers looking for a powerful and flexible looping tool.
Looperlative LP-1 Looper Track: Pros:1. High-quality audio looping: The Looperlative LP-1 provides high-fidelity audio looping, ensuring that the final output is of excellent quality.
2. Multiple track layering: This looper allows you to record and layer up to 16 tracks, providing ample room for experimentation and complex compositions.
3. Time-stretch and pitch-shift: The LP-1 offers time-stretch and pitch-shift capabilities, allowing you to adjust the tempo and pitch of your loops without altering their pitch or time signature.
4. Sync capabilities: The looper can be synced with external MIDI devices, making it easier to integrate into a larger setup.
5. Compact and portable: The LP-1 is a compact and portable device, making it easy to take on the go or to incorporate into a travel setup.
Cons:1. Expensive: The Looperlative LP-1 is one of the more expensive loopers on the market, which may deter some potential buyers.
2. Learning curve: Due to its advanced features, the LP-1 may have a steeper learning curve compared to simpler loopers.
3. Limited control options: The LP-1 has a limited number of physical control options, which may not be suitable for those who prefer more hands-on control.
4. No built-in effects: The LP-1 does not come with any built-in effects, which may require external devices for more advanced sound shaping.
Conclusion:The Looperlative LP-1 Looper Track is a powerful and versatile looping device that offers a range of advanced features, making it an excellent choice for musicians looking for a high-quality, multi-track looper. Its compact size and sync capabilities make it a great option for both live performances and studio work. However, its high price and limited control options may be considerations for some potential buyers. If you are willing to invest in a high-end looper and are looking for a powerful and flexible tool for your music-making, the Looperlative LP-1 may be an excellent choice for you.
Recommendation:If you are a serious musician looking for a high-quality, multi-track looper with advanced features, the Looperlative LP-1 is a great option to consider. Its powerful audio looping capabilities, multiple track layering, and time-stretch and pitch-shift features make it a versatile tool for a wide range of music styles. However, if the price is a concern, you may want to explore other, more affordable loopers with similar features to find a device that better fits your budget.
The lp1 offers a simple but functional front panel. Like the long discontinued Gibson Anaheim apoplexy digital pro and the current boomerang iii, the Looperlative lp1 does not offer stored loops.
Eight track buttons allow easy selection of the eight tracks. The eight tracks can be independently adjusted. A data wheel and a pair of buttons menu and enter provide access to the lp1's configuration menus. The Looperlative lp 1 is quite possibly the ultimate phrase looper for improvised performances.
Rare Looperlative lp 1 looper absolute mint condition. 34g to You can assign a track to be the master track for synchronized loops. Each track can be synchronized with any other track or it can be asynchronous with the rest of the tracks.
The lp1 offers easy connectivity and expansion through Ethernet. A row of nine buttons is used to select one of the eight tracks or all tracks at once. The lp1 offers a simple programming interface to easily configure it to be used with your midi controller. I've read on the Looperlative message board that some users are unhappy with how the lp1 follows an external clock source.
The lp1 offers immediate and delayed stop and play for seamless transitions. Given the constraints of the lp1's 1u rack size, the display is fairly small. Melton mode is exactly what you think it is a track can be played back at original pitch or any of twelve other pitches in the chromatic scale.
Because all eight tracks are run by a single processor, synchronized tracks will never drift apart. The lp1's audio I OS are on unbalanced 1/4 gifts jacks. You can copy an existing track unchanged to a free track. Scramble a track, and fade a track in or out.
Interconnects between units that use a mix of balanced and unbalanced connections requires special considerations. The analog to digital conversion produces 24 bit digital audio which is then stored and processed as 32 bit digital audio by the digital signal processor DPs.
A rec dub button and a play stop button provide access to the most basic of the lp1's many loop control commands. The network connection supports several activities.
The lp1 really comes into its own when used with a midi controller. 5mm barrel jack for power input, a trio of 5 pin midi jacks input, output and thru and an Jr 45 network connector.
In stock and ready to ship. I personally have no application for this. The lp1 will grow with you.
You can undo an overdub of less than 30 seconds' duration. The row of track leds is probably far more important for the quick overview they provide of track activity. The lp1 has a set of stereo inputs and outputs as well as two sets of auxiliary outputs. The lp1 offers eight independent stereo tracks.
The lp1 can simultaneously act as a master and a slave over a single cable. The real strengths of the lp1 lay in its vast functionality and its plethora of I o connections.
As the internet continues to grow, the lp1 is ready to participate. Selected loops can be routed to either of the auxiliary outputs via an lp1 command. Most status is presented on a high visibility 2 line vacuum fluorescent display. Bounce you can bounce a track and any real time alterations onto a new track.
The lp1 is midi compatible. Unlike other interfaces which are master slave, the Ethernet interface is a peer to peer connection. All audio inputs and outputs are fully stereo.
Recording may be synchronized to a master loop or may be free running. The Ethernet interface was chosen to offer the greatest number of expansion possibilities.
The lp1 can record, play, stop, and overdub tracks. The lp1 comes at a dear cost us 1,249 plus shipping and handling.
I'd like to say that this is unusual for rack gear, but it's not. The lp1, like the boomerang iii, offers stereo operation. By default, the first track recorded becomes the master track. Simple menus are controlled with a single knob and two buttons.
Also the lp1 can provide a midi clock or synchronize to a midi clock. Analog audio is sampled at over 6 MHz, digitally filtered, and then resampled at the standard 48 khz sample rate. The lp1's track selection commands allow selection of track 1, the next or previous track with wraparound, a track group ten groups may be predefined using the lp1's configuration menus, all tracks or all tracks except the current track.
The commands can be grouped as follows track selection commands the lp1 follows a noun before verb command model. Replacement can operate on quantize divisions of a track the divisions are preset using the lp1's configuration menu. The device supports Dhaka, allowing plug and play use on most networks. The included power supply is not only a so called universal voltage supply, accepting inputs from 100 to 240 vac, but also comes with an assortment of adapter plugs.
Very low use from a smoke free home Looperlative lp1 stereo looper the lp1 is 8 stereo looper in one box. The lp1 does the job of up to 16 traditional looper. The result is a very natural sounding audio output. Depending upon the implementation of the balanced outputs, the interconnect to the corresponding unbalanced input may require a specially wired cable or a signal level adjustment.
Of course, if stereo operation is important, the financial balance handily favors the lp1 over a pair of mono EDP's. Still, it's quite readable for its two signal level bars and two lines of text. You can multiply the length of a loop there are commands to double, triple and quadruple a loop by repeating existing audio.
The lp1 offers the basic features that people expect from a looper. The audio is then converted back to analog through 24 bit digital to analog converters. The process worked and required no knowledge of computer networking beyond the ability to find a baste cable and plug it into the lp1 and a network hub. The lp1, though, offers twice as many tracks eight rather than four and many more features than the boomerang iii.
That's more than 500 over the cost of a boomerang iii plus sidecar, and 400 to 500 more than the cost of a used Gibson Anaheim apoplexy digital pro with foot switch in excellent condition. Connect a foot pedal midi remote controller for hands free operation. The total recording time is about four minutes on both units, all other things being equal.
With 8 tracks which can be synchronized or independent of each other. It can reverse individual tracks at any time during playback. The lp1 is what i've come to know as a learning midi device. Playback may start immediately or at a loop cycle point.
Record, play, stop, overdub and erase commands these commands have permutations to operate on individual tracks, groups of tracks and all tracks. The boomerang iii offers a selection of mono operation and low sample rates that multiply the available time. A command, or a sequence of up to eight commands, is associated to each user button through the lp1's configuration menus.
Most impressive is that the lp1's menu has a command to update the unit's firmware over the network. Rico add 40.
Display of the lp1's status and configuration menus is given via a dot matrix vacuum fluorescent display. The lp1 features approximately sixty. The midi interface can be used to control the lp1 or provide a synchronization interface with other midi devices such as sequencers or drum machines. The lp1 accepts a tip positive dc source of 9 to 12 volts , and consumes according to the manual about 700 ma.
Finally, four user defined buttons can be programmed as you desire. Track editing commands you can replace audio on a track while hearing either the existing or new audio. Because software can easily be distributed through the internet, Looperlative will continue to add new features to the lp1 over time. Eight track lights offer basic status information about the tracks.
However, like its aforementioned cousins, the lp1 is in a select class of technological tools to assist in musical improvisation. Built from modern technologies, the lp1 is built with room to grow. Loop beyond traditional boundaries, the Looperlative lp1 is a tool for now and the future. The Jr 45 connection allows the lp1 to join a computer network.
Track audio settings you can alter a track's feedback amount which affects how quickly old audio fades away when overdubbed, stereo pan position, and output assignment. I did this immediately upon receipt of my lp1, updating from revision One all track button is used to apply functions to all eight tracks simultaneously.
The lp1 offers excellent audio quality. Many vendors use unbalanced I o despite the potential advantages of a balanced connection. Enjoy a rich feature set today and enjoy an even richer feature set in the future.
As the above brief summary suggests, the Looperlative lp1 is an incredibly capable looping instrument, easily in the same class as the venerable Gibson Anaheim apoplexy digital pro, but with the addition of a stereo signal path and multiple independent outputs. Not only are there eight tracks, but each track is fully stereo. Effects you can play a track in reverse, play a track at half speed, chop and rearrange. The lp1 recognizes PC, cc and note messages as such, the lp1 should be usable with virtually any controller that can send midi data.
Right and left channel stay in perfect synchronization because they are processed together.
You'll use the display mostly during programming and configuring the lp1 I can't imagine any reason to need to watch the display during a performance. It can speed up or slow down a track. In normal operation, all signal flows out to the main outputs.
It's possible to use the lp1 as a standalone device via its front panel controls. You select a track or group of tracks to which subsequent commands apply. Power supply and manual included.