
( Brand: Summit ), ( Model: MPE-200S ), ( Modified Item: No ), ( Type: Equalizer ), ( Form Factor: Rack Mountable )
The MPE-200S Summit Audio Mic-Pre Equalizer Slave is a high-quality audio processing device designed for professional recording and mixing applications. This unit serves as a slave to Summit Audio's flagship mic preamp, the DCL-200, providing additional channel expansion and equalization capabilities.
The MPE-200S is a 2-channel equalizer, offering a wide range of frequency response adjustments to shape and sculpt your audio signal. It features a fully discrete Class-A mic preamp circuit, delivering a rich, warm, and natural sound with low noise and high headroom. The preamp stage includes a 75dB gain control, allowing you to handle a wide range of microphone levels with ease.
The equalizer section of the MPE-200S is equipped with four bands of parametric equalization, each offering a generous Q control for precise frequency shaping. The low-cut filter provides a gentle slope to eliminate unwanted low-frequency rumble, while the high-pass filter can be used subtly for de-essing or more aggressively for removing harsh high-end frequencies.
The MPE-200S also includes a convenient front-panel insert point, allowing for easy integration with external processors such as compressors, limiters, or distortion units. The unit is housed in a rugged, 19-inch rack-mount chassis, featuring high-quality aluminum knobs and a robust steel front panel for durability and long-term use.
In summary, the MPE-200S Summit Audio Mic-Pre Equalizer Slave is a versatile and powerful audio processing tool, offering a high-quality mic preamp and a wide range of equalization options. Whether you're recording vocals, instruments, or mixing in a professional studio, this unit will provide the precision and sonic character you need to achieve your desired sound.
Pros of buying a MPE-200S Summit Audio Mic-Pre Equalizer Slave:1. High-quality sound: The MPE-200S is known for its excellent sound quality, offering a transparent and detailed sound that can enhance the overall quality of your recordings.
2. Versatility: The mic-pre can handle a wide range of input levels, making it suitable for various types of microphones and sources. The equalizer section also provides fine-tuning options, allowing you to shape the sound according to your needs.
3. Build quality: Summit Audio is known for its high-quality construction, and the MPE-200S is no exception. The unit is sturdy and well-built, ensuring reliable performance over time.
4. Flexibility: The slave function allows you to connect multiple units, providing additional channels of high-quality mic-pre and equalization.
Cons of buying a MPE-200S Summit Audio Mic-Pre Equalizer Slave:1. Price: The MPE-200S is a premium product, and its price reflects its high-quality components and construction. This may make it an expensive option for some users.
2. Limited features: Compared to some other high-end mic-pre/equalizers, the MPE-200S has a more limited feature set. It does not include features like mid/side processing or surround sound capabilities.
3. Learning curve: The MPE-200S may have a steeper learning curve than some other mic-pre/equalizers, requiring more time to understand and master its controls and functions.
Conclusion:The MPE-200S Summit Audio Mic-Pre Equalizer Slave is a high-quality mic-pre/equalizer that offers excellent sound quality and versatility. Its build quality and slave function make it an attractive option for users who need additional channels of high-quality audio processing. However, its price and limited feature set may make it an expensive and less feature-rich option compared to some other high-end mic-pre/equalizers. Ultimately, the decision to buy the MPE-200S depends on your specific needs, budget, and level of expertise.
Recommendation:If you are in the market for a high-quality mic-pre/equalizer, the MPE-200S Summit Audio Mic-Pre Equalizer Slave is a worthy consideration. Its sound quality and versatility make it an excellent choice for recording studios, live sound, and post-production applications. However, if you require more features or are on a tighter budget, you may want to consider other options. It is always a good idea to demo or research the product thoroughly before making a purchase to ensure that it meets your specific needs and preferences.
The MPE-200S is no lightweight. This configuration makes using each processor independently a snap. Is solidly constructed and creates a striking image with its blue-gray anodized aluminum face plate minimal controls. Tapping the units single, large, square key steps you through pages.
The two preamps eq channels are designated a and b, each is given its own discrete set of I OS. And, like the mpe-2 MPE-200S has a standby mode that is entered by combination of pressing and holding front panel controls. Pressing the dial let's you scroll through different parameters in display window.
The key itself is backbit and does double-duty as display window. As sparse the front panel controls are, they are amazingly intuitive design is actually very ingenious. To use the processors in tandem, simply connect output of one processor input another.
The power switch is on rear panel, near removable IRC ac cable socket and 100-240vac, 50-60hz select. Its only two backspaces high but weighs in at a hefty 27 lbs. The only catch is that controls address preamps, filters and midi channel assign parameters not parametric eq settings.
This flexibility also simplifies inserting a compressor or other effect between the units individual processors. All the audio connections are balanced XLR on rear panel. A large, infinitely rotating dial lies just beneath the key and is used to enter values.