RUPERT NEVE DESIGNS PORTICO2MASTERBUSS-BLK Portico Master Buss Processor

( Brand: Rupert Neve Designs ), ( Manufacturer Part Number: PORTICO2MASTERBUSS-BLK ), ( Part Type: Processor )

Review RUPERT NEVE DESIGNS Portico Master Buss Processor Black

The Rupert Neve Designs Portico II Master Buss Processor (Portico II Master Buss-blk) is a highly coveted analog audio processor that delivers a unique combination of precision, warmth, and character to your audio mixes. This versatile device offers a range of tools for mastering, mixing, and even tracking applications, making it an indispensable addition to any professional studio or home recording setup.

At its core, the Portico II Master Buss-blk features Rupert Neve's renowned transformer-coupled Class A mic preamplifiers, which provide exceptional clarity, depth, and presence to your audio. The device boasts a total of eight inputs, allowing you to process multiple signals simultaneously, and each input is equipped with a dedicated gain control for fine-tuning levels.

The Portico II Master Buss-blk offers a variety of processing options to help you shape your sound. The unit features a 2-band parametric EQ section, which allows you to adjust frequencies with remarkable precision and subtlety. The high-frequency band extends up to 20kHz, providing exceptional control over air and detail, while the low-frequency band goes down to 10Hz, enabling you to shape the sub-bass response of your mixes.

In addition to the EQ, the Portico II Master Buss-blk includes a compressor, limiter, and expander, providing comprehensive dynamic control for your audio. The compressor offers a wide range of attack and release times, as well as a variable ratio, allowing you to tailor the compression effect to your specific needs. The limiter is designed to protect your audio from excessive levels while maintaining the transient response, ensuring that your mixes remain punchy and dynamic. The expander helps to control background noise and tighten up your mix by increasing the level of the signal above a specified threshold.

The Portico II Master Buss-blk also includes a high-quality stereo summing bus, which allows you to mix multiple stereo signals into a single, balanced output. This summing bus features Rupert Neve's custom-designed transformer, which adds a subtle warmth and analog character to the overall sound. The device also includes a balanced XLR output, a headphone output with its own volume control, and a 12V DC power supply input.

In terms of build quality, the Portico II Master Buss-blk is a testament to Rupert Neve Designs' commitment to craftsmanship and durability. The unit features a rugged steel chassis, high-quality components, and a convenient front-panel layout that makes it easy to use in a live or studio setting. The Portico II Master Buss-blk is also backed by Rupert Neve Designs' industry-leading customer support, ensuring that you have access to expert assistance should you need it.

In summary, the Rupert Neve Designs Portico II Master Buss Processor (Portico II Master Buss-blk) is a powerful, versatile, and high-quality audio processor that delivers a unique combination of warmth, precision, and character to your audio mixes. Whether you're a professional engineer, a home recording enthusiast, or a live sound engineer, the Portico II Master Buss-blk is an essential tool for achieving professional-sounding mixes.

1. Legendary Sound Quality: Rupert Neve is renowned for his high-end audio equipment, and the Portico Master Buss delivers on that reputation. Its analog circuitry provides a warm, rich sound that can significantly improve the overall mix of your audio.

2. Versatility: The Portico Master Buss offers multiple processing options, including compression, limiting, and EQ, allowing you to tailor the sound to your specific needs.

3. High-End Components: The Portico Master Buss uses high-quality components, such as transformers and capacitors, which contribute to its exceptional sound quality.

4. Durable Construction: Rupert Neve designs his equipment to last, and the Portico Master Buss is no exception. Its rugged construction ensures that it can withstand the rigors of regular use.

1. High Price: The Portico Master Buss is a premium product, and its price reflects that. It may be out of reach for some budgets.

2. Analog Processing: While analog processing can provide a unique sound, it may not be suitable for everyone. Some producers prefer digital processing, which offers more precise control and flexibility.

3. Size and Weight: The Portico Master Buss is a large, heavy device, which can make it difficult to transport or set up in a small studio.

The Rupert Neve Portico 2 Master Buss Processor (Portico Master Buss) is a high-end audio processing tool that delivers exceptional sound quality and versatility. Its analog circuitry provides a warm, rich sound that can significantly improve the overall mix of your audio. However, its high price and size may make it a luxury item for some producers. If you have the budget and the space, the Portico Master Buss can be a valuable addition to your studio equipment. If not, there are other, more affordable options available that may better suit your needs.

If you are a serious producer or audio engineer looking for a premium audio processing tool, the Rupert Neve Portico 2 Master Buss Processor (Portico Master Buss) is worth considering. Its exceptional sound quality and versatility can make a significant difference in the final product. However, if budget or space constraints are a concern, there are other, more affordable options available that can still deliver excellent results. Ultimately, the best choice depends on your specific needs and preferences.

Details:

As the knob is turned counter clock-wise, release time increased accordingly, as typically one would want a longer with larger amount of reduction. In addition to the adaptive time constant circuitry, release is also varied with position of knob. As the width control is rotated toward wide, amount of difference material boosted, often resulting in more ambient material, and accentuated stereo reverb. Merchandise and packaging MUST be in the same condition as when received.

Used in conjunction, the depth and width controls effectively alter perceived room ambience dimension. Our new Adaptive Release Technology is behind this revolutionary performance. If the phase of one input channels is then reversed mono content may be virtually eliminated. Conversely, the stereo field is contracted when rotated to mono, and, if left and right channels are highly coherent .e.

This is interesting to look at with sine waves, but sounds quite undesirable music. Both channels include closely similar material that is in phase, this mono content enhanced. In many cases, these same elements may be virtually eliminated without adversely affecting the music bed. Using a blend of release time constants, this limiter will simultaneously respond quickly to transient material such as the snap snare drum and slowly more sluggish signals bass guitar.

The MBP does not have this trade off, and one is able to the best of both worlds: a quick, snappy response while maintaining integrity smoothness low end. The stereo field editor on the MBP takes traditional M-S techniques to new height with width , depth and corresponding band pass filters. Both the limiter and soft clipper are switched out of circuit with knob is fully clockwise. Rupert Neve, the high- voltage 72V topology found in Master Buss Processor MBP will integrate flawlessly with virtually any system.

It is also possible to do the same thing with width EQ, except instead of boosting width , cutting it, which removes low frequencies from Sides, tightening up frequency perception in center. Center-panned elements like solo instrument or vocal can be brought forward in a mix, relation to supporting instruments. A settings act as the master control for convenient operation. SC HPF inserts a high pass filter at 250 Hz into the side chain to deal with intense low frequencies that may skew response of VCA certain songs and instruments.

The new limiter found in the MBP is designed to respond as fast .03 MS order reduce first half of a 20 kHz waveform over threshold. Warranty: New condition items carry manufacturer warranty. New merchandise carries the original warranty issued by manufacturer. Typically there is a trade off between how fast limiter can react and the amount of modulation distortion in lower frequencies.

A soft clipper circuit catches transients that may have been in the knee when threshold knob is set quite high. This new topology is a significant evolution of Mr Rupert Nieves classic Designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, band width , and accuracy while still providing for the sweet, musical performance that has been part countless recordings. Blend creates a parallel mix between the compressed and dry signals. The limiters share the same discrete, class-A gain module and VCA with compressors, so using Limiter does not introduce more stages that music would have to pass through.

Using the width EQ again, this time set to HM or LM as case may be, increasing amount of band-passed Side information can provide a wonderful spreading instruments, reverberation and background vocals, giving illusion that sounds are spread further out, enveloping listener. Peak mode alters the compressors attack to react peak transients with a roughly .1ms response time. Another technique available on the SFE is routing Mid and Side signals to Channel A B compressors, respectively. This configuration allows the limiter to grab a transient and let go just an instant later, while also dealing with more constant signals in slower, musical way.

The Portico II Master Buss Processor also features an extremely versatile, transparent and musical limiter. Now it is possible to not only increase the side information, but utilize compressor bring up some of low level or allow user tame an overly expressive lead singer. Software if unsealed or registered. With the addition of using EQ section on Depth and width , a wide range tools is available to engineer.

Because the amount of effect width control has is entirely dependent on stereo information in original source material and interplay between field editors other controls, listening experimentation are essential for best results. The Bps two compressor sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls ratio, threshold, attack, release, blend, side chain HPF, limit and make up gain. With input and output transformers designed implemented by Mr. When the Peak switch is disengaged, compressor responds to RMS signal in conjunction with attack and release settings.

Now whatever amount of Depth or width is introduced first routed to the compressors, allowing user utilize compressor features on Mid and Side information. The return may also be used as a Key input for ducking one signal to another for instance, voice-over keying the compressor duck background music track. The width control enables the user to increase or decrease of a stereo image wide/mono and adjust amount ambience inherent in recording. At first glance, one might scoff at the single knob operation, however this limiter is extremely intelligent, knowing how to appropriately respond various signals presented it.

This combination of features provides exceptionally transparent limiting, and often allows twice as much gain reduction compared to other limiters before objectionable artifacts become apparent. With the stereo link control engaged, Ch. To fine tune the SFE, there are individual filters that allow a tuning of what information is reintroduced from width and depth circuits, thus tailoring each effect to specific band width . Rupert Neve Designs Portico II Master Buss Processor - Black.

The release times are fully automatic and adjust depending both on the average depth of limiting duration transients above threshold. The depth control of the MBP adjusts spatial positioning elements in sound stage. By mixing the compressed and dry signals, it is possible to increase volume of quieter elements in source material for instance, delicate snare brushing on a track with much louder hits, while maintaining natural dynamic feel for. This is due to the lower frequencies finding their way into side chain signal, triggering compressor on and off very quickly, which ends up modulating overall signal.

part #: portico2masterbuss-blk price

• $4400.00

specifications signalprocessorgo:

• brand: Rupert Neve Designs
• mpn: Portico2masterbuss-blk
• part type: Processor

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• Musical Instruments Gear > Pro Audio Equipment > Signal Processors/Rack Effects
• condition: Used

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• # reviews: 72283
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