RUPERT NEVE DESIGNS Porticoiimbpused Portico Master Bus Jrr P2MBP Processor

( Brand: Rupert Neve Designs ), ( Manufacturer Part Number: PORTICOIIMBPUSED ), ( Part Type: Processor )

Review RUPERT NEVE DESIGNS Portico Master Bus Processor Used Jrr Shop

The P2MBP Rupert Neve Portico Master Bus Processor JRR Portico II Master Buss Processor (used) is a high-end audio processing unit that is designed to add professional-grade polish and warmth to your mixes. This unit is a used version of the popular Portico II Master Buss Processor, which was developed in collaboration between Rupert Neve Designs and Softube.

The P2MBP features a variety of processing options, including high and low-frequency EQ, compression, and saturation. The high-frequency EQ section allows for precise control over the brightness and presence of your mix, while the low-frequency EQ section helps to add weight and power to the bottom end. The compression section provides smooth and natural dynamic control, while the saturation section adds harmonic distortion and warmth to your mix.

One of the standout features of the P2MBP is its analog modeled circuitry, which provides a sound that is reminiscent of classic analog recording consoles. This means that your mixes will have a rich, full-bodied sound that is difficult to achieve with digital processing alone.

The P2MBP also features a variety of input and output options, including XLR and TRS jacks for balanced and unbalanced connections, as well as a stereo headphone output. This makes it easy to integrate the P2MBP into your existing studio setup, whether you're working in a professional recording studio or in a home recording setup.

Overall, the P2MBP Rupert Neve Portico Master Bus Processor JRR Portico II Master Buss Processor (used) is a powerful and versatile audio processing unit that is suitable for a wide range of applications. Whether you're mixing music, mastering records, or working on post-production projects, this unit will help you achieve professional-grade results with ease.

1. Cost-effective: Buying a used Portico Master Bus Processor can be significantly cheaper than buying a new one, allowing you to invest in high-quality processing without breaking the bank.

2. Maintained condition: If purchased from a reputable seller, the Portico II Master Bus Plus may be in excellent condition, having been well-maintained and serviced.

3. Classic sound: The Rupert Neve Portico series is renowned for its rich, warm sound, making it an excellent choice for mastering and mixing.

4. Versatility: The Portico II Master Bus Plus offers a variety of processing options, including compression, expansion, and equalization, allowing you to fine-tune your mixes to perfection.

1. Uncertain condition: If not purchased from a reputable seller, the Portico II Master Bus Plus may have signs of wear and tear or require maintenance, which could increase the cost of ownership.

2. Limited availability: Used Portico Master Bus Processors may be harder to find, requiring more patience and effort in the search for a suitable unit.

3. No warranty: Used equipment often does not come with a warranty, which means any issues or faults will need to be addressed at your own expense.

4. Limited customization: While the Portico II Master Bus Plus offers a wide range of processing options, it may not be as customizable as newer digital alternatives.

The P2MBP Rupert Neve Portico Master Bus Processor JRR Portico II Master Bus Plus is a great option for those seeking a high-quality, classic sounding mastering processor at a more affordable price. However, it's essential to be cautious when purchasing a used unit to ensure it's in good condition and to consider any additional costs that may arise. If you have the time and resources to invest in a well-maintained unit, the Portico II Master Bus Plus can be a valuable addition to your audio processing arsenal.

If you're considering purchasing a used Portico II Master Bus Plus, we recommend researching reputable sellers and checking for user reviews to ensure you're getting a well-maintained unit. Additionally, consider the cost of any potential maintenance or repairs, as well as the availability of parts and support, to ensure the investment is worthwhile in the long run.

Details:

In many cases, these same elements may be virtually eliminated without adversely affecting the music bed. The limiters share same discrete, class-a gain module and vac with compressors, so using limiter does not introduce more stages that music would have to pass through 20khz, 20 dub output: better than. Peak mode alters the compressor attack to react transients with a roughly. Sc hspf inserts a high pass filter at 250 Hz into the side chain to deal with intense low frequencies that may skew response of vac certain songs and instruments.

By mixing the compressed and dry signals, it is possible to increase volume of quieter elements in source material for instance, delicate snare brushing on a track with much louder hits, while maintaining natural dynamic feel. When compression has taken place, the gain control is necessary to increase overall restore program level. Compression for signals below the threshold level that has been set, a compressor provides linear path allowing to be amplified without gain being adjusted in any way.

The stereo field editor on mbp takes traditional m-s techniques to new height with width , depth and corresponding band pass filters.

The limiter portico ii master buss processor also features an extremely versatile, transparent and musical. If the phase of one input channels is then reversed mono content may be virtually eliminated. To fine tune the safe, there are individual filters that allow a tuning of what information is reintroduced from width and depth circuits, thus tailoring each effect specific band width slew rate better than 4 v us compressor threshold: variable 30dbu 20 Debra: 1.

With input and output transformers designed implemented by Mr. 5 amp, fast acting, ceramic body Nash bushman type gad Our new adaptive release technology is behind this revolutionary performance.

This configuration allows the limiter to grab a transient and let go just an instant later, while also dealing with more constant signals in slower, musical way. Now whatever amount of depth or width is introduced first routed to the compressors, allowing user utilize compressor features on mid and side information.

03 ms in order to reduce the first half of a 20 khz waveform over threshold, with serial adaptive release. Used in conjunction, the depth and width controls effectively alter perceived room ambience dimension. From mixing bass-heavy edm to a delicate master of chamber ensemble, it has something offer everyone Nash no matter the use or genre. Using a blend of release time constants, this limiter will simultaneously respond quickly to transient material such as the snap snare drum and slowly more sluggish signals bass guitar.

When the peak switch is disengaged, compressor responds to RMS signal in conjunction with attack and release settings. Output level meter covers the range from 10 to 22 dub and above which is regarded as overload. 40:1 threshold range from 30dbu to 20dbu attack time 20 ms 75. Now it is possible to not only increase the side information, but utilize compressor bring up some of low level or allow user tame an overly expressive lead singer.

Center-panned elements like solo instrument or vocal can be brought forward in a mix, relation to supporting instruments. As the knob is turned counter-clock-wise, release time increased accordingly, typically one would want a longer with larger amount of reduction.

This allows the compressor to disregard sustained low frequency content. With the stereo link control engaged, ch.

When signals exceed the threshold level, gain is reduced in a controlled manner that depends on ratio has been set. A soft-clip circuit catches transients that may have been in the knee when threshold knob is set quite high. Rupert Neve, the high- voltage 72v topology found in master buss processor will integrate flawlessly with virtually any system.

1:1 to 40:1 limit blend: variable from 100 compressor gain: 6 db 20 db attack: ms 75. The mbp does not have this trade off, and one is able to best of both worlds: a quick, snappy response while maintaining integrity smoothness low end. Limiter musically transparent brick-wall limiting activated when the signal reaches threshold. The width control enables user to increase or decrease of a stereo image wide mono and adjust amount ambience inherent in recording.

The depth control adjusts spatial positioning of elements in sound stage. A settings act as the master control for convenient operation. Another technique available on the safe is routing mid and side signals to channel a b compressors, respectively. Blend creates a parallel mix between the compressed and dry signals.

This is interesting to look at with sine waves, but sounds quite undesirable music. Both channels include closely similar material that is in phase, this mono content enhanced. Using the width eq again, this time set to HM or lam as case may be, increasing amount of band-passed side information can provide a wonderful spreading instruments, reverberation and background vocals, giving illusion that sounds are spread further out, enveloping listener. The new limiter found in mbp is designed to respond as fast.

At first glance, one might scoff the single knob operation Nash however, this limiter is extremely intelligent, knowing how to appropriately respond various signals presented it. Bypass all hardwired for mbp, including the input and output transformers texture continuously variable control silk modes allows engineer to fine tune harmonic ratio tonality of each channel ff FBI changes vac detection from a forward feed design fast, more accurate attack release back smoother, musical response peak RMS compression selection when engaged, mbp compressor uses combination average trigger set below 1ms. The reduction is calibrated in db covering range 1 to 22 dub, reading from top bottom side chain send return external compressor and on 2 x trs jacks. Both the limiter and soft clipper are switched out of circuit with knob is fully clockwise.

Sc hspf introduces a at 250hz to the vac side chain signal. The release times are fully automatic and adjust depending both on average depth of limiting duration transients above threshold. 2 seconds power consumption. Because the amount of effect width control has is entirely dependent on stereo information in original source material and interplay between field editor primes other controls, listening experimentation are essential for best results.

5a or equivalent size This new topology is a significant evolution of Mr Rupert Neve classic Designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, band width , and accuracy while still providing the sweet, musical performance that has been part countless recordings. Stereo operation when the link switch is engaged, channel a becomes master control, and any gain reduction happens simultaneously in both channels led meters four peak are provided that show output levels. 20 as above, silk blue engaged, texture fully cw: better than 2.

In addition to the adaptive time constant circuitry, release is also varied with position of knob. Typically there is a trade off between how fast limiter can react and the amount of modulation distortion in lower frequencies. For example, if one wanted to increase the amount of low frequencies in image, engaging safe depth and eq, set FL, would filter out everything mid signal except what is below point this case, 250 Hz, once reintroduced original result a perceived image. Total harmonic distortion and noise: 1khz, 20 dub output: better than as above, silk red engaged, texture fully cw: 3.

Conversely, the stereo field is contracted when rotated to mono, and, if left and right channels are highly coherent. 03 ms in order to reduce the first half of a 20 khz waveform over threshold.

This combination of features provides exceptionally transparent limiting, and often allows twice as much gain reduction compared to other limiters before objectionable artifacts become apparent. With the addition of using eq section on depth and width , a wide range tools is available to engineer. The return may also be used as a key input for ducking one signal to another instance, voice-over keying compressor duck background music track.

Ratio range from 1:1 to limit. This is due to the lower frequencies finding their way into side chain signal, triggering compressor on and off very quickly, which ends up modulating overall signal. 1ms response time. It is also possible to do the same thing with width eq, except instead of boosting width , cutting it, which removes low frequencies from sides, tightening up frequency perception in 20hz, 20 dub output: better than 0.

As the width control is rotated toward wide, amount of difference material boosted, often resulting in more ambient material, and accentuated stereo reverb. When disengaged, it follows RMS alone. Frequency response: main output, no load, Nash 3 db 4 Hz khz maximum output level: from 20 to 40 is it has a medium knee initial ratio and within of the threshold attains better than 10:1. Attack time is.

The compressor mbp two sections allow virtually limitless possibilities in dynamics for either dual mono or stereo sources, with controls ratio, threshold, attack, release, blend, side chain hspf, limit and make up gain. Gain range provided is from 0db to 20 db.

part #: porticoiimbpused prices

• $3745.00-$4239.00

specifications signalprocessorgo:

• brand: Rupert Neve Designs
• mpn: Porticoiimbpused
• part type: Processor

Payments signalprocessorgo:

• PayPal

General signalprocessorgo:

• condition: Used
• in stock: Yes
• Musical Instruments Gear > pro Audio Equipment > signal Processors

Shipping signalprocessorgo:

• type: Calculated
• handling: 1 days

Returns signalprocessorgo:

• policy: no returns

Offer signalprocessorgo:

• quantity: 1
• Sold: 0
• bids: 0
• Started: April 11, 2017, 11:47 pm
• best offer: false

Ratings:

1. Ok 04-11-17
2. perfect just what we were looking for. 04-11-17
3. Great mic pleasure buying 04-11-17
4. Awesome! Just as expected. Thank you! 04-11-17

Seller signalprocessorgo:

• zipcode: 92708
• city: Fountain Valley, California

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