
( Brand: Dbx ), ( Manufacturer Part Number: 160A ), ( Effect/enhancement: Compression/limiting ), ( Type: Dynamic Range Processor ), ( Number Of Channels: Less Than 5 ), ( UPC: 691991400056 )
The DBX 160A/160 S27686 Chipped Limiter/Compressor is a legendary piece of audio processing equipment, renowned for its versatility and unparalleled performance. This unit is a chipped version of the original DBX 160A, offering advanced capabilities and enhanced functionality.
The 160A/160 S27686 is a dual-channel compressor/limiter that provides exceptional control over dynamic range, allowing you to shape your audio with unmatched precision. It features a variable attack and release time, enabling you to smoothly compress or limit signals without artifacts or distortion. The compressor mode offers gentle level control, while the limiter mode provides an aggressive, brickwall effect for maximum gain reduction.
One of the standout features of the DBX 160A/160 S27686 is its renowned "chipped" behavior. The chip modification allows for an extended range of settings, providing an even greater degree of control over your audio. This can be particularly useful in mastering applications, where every decibel counts.
The DBX 160A/160 S27686 also features a built-in sidechain filter, allowing you to isolate specific frequencies for compression or limiting. This is a powerful tool for shaping the dynamics of complex mixes, ensuring that problematic frequencies don't dominate the mix.
The unit's metering section is comprehensive, providing clear visual feedback on input level, output level, gain reduction, and attack and release times. The large, easy-to-read LED displays make it simple to monitor your settings in real-time, ensuring that your audio is always under control.
In conclusion, the DBX 160A/160 S27686 Chipped Limiter/Compressor is a must-have tool for any serious audio engineer or producer. Its versatility, reliability, and legendary sound make it an indispensable addition to any studio setup. Whether you're working on a mix, mastering a track, or simply looking to add some character to your audio, the DBX 160A/160 S27686 will not disappoint.
Pros of buying a chipped limiter compressor 160A 160 S27686 DBX:1. Cost-effective: The chipped version of this compressor is significantly cheaper than the original, making it an affordable option for those on a budget.
2. Features: Despite being a chipped version, this compressor still retains many of the original DBX 160A's features, including the VU meter, attack, release, and ratio settings.
3. Durability: DBX compressors are known for their durability and reliability, and the 160A is no exception. With proper maintenance, this compressor can last for many years.
4. Versatility: The DBX 160A is a versatile compressor that can be used in a variety of applications, including music production, post-production, and live sound.
Cons of buying a chipped limiter compressor 160A 160 S27686 DBX:1. Quality concerns: Some users have reported issues with the quality of chipped compressors, including inconsistent performance and reliability.
2. Warranty: Since the compressor has been chipped, it may not be covered under the original manufacturer's warranty.
3. Legality: Using chipped equipment is illegal in some countries and may violate the terms of use of the original software.
Conclusion:The chipped DBX 160A 160 S27686 can be a cost-effective option for those on a budget, but it is important to consider the potential quality concerns and legal implications. If you are willing to take the risk and are comfortable with the potential issues, then a chipped DBX 160A may be a good option for you. However, if you are looking for a high-quality, reliable compressor with a warranty, it may be better to invest in the original DBX 160A.
Recommendation:If you are looking for a high-quality, reliable compressor with a warranty, I would recommend investing in the original DBX 160A. While it may be more expensive, you can be confident in its performance and reliability, and you will have the peace of mind that comes with knowing it is covered under warranty. If you are on a tight budget and are comfortable with the potential risks, then a chipped DBX 160A may be a more affordable option for you. Ultimately, the best choice depends on your specific needs and priorities.
Your 1 source for new and used recording gear. 12 segment gain reduction leds provide precise analysis at a glance. The Dbx 160A is a legendary Dbx 160 family of compressor limiters.
The 160A is fully compatible with 4 10db and balanced unbalanced systems, and its electronically balanced output stage is an outstanding line driver for long cable runs an output transformer is optional. Ent in the mix, or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs, the Dbx 160A is for you. The same classic sound, easy set up and no compromise metering is now married to an improved signal path and stronger chassis design.
Solid construction, fool proof operation, great sound, at a glance metering and a bulletproof output stage all contributed to its popularity with musicians, recording studios, consultants and installers, and broadcast media production people alike. After the classic 160 which is still used daily in many world class studios, came the 165, the 160x and the 160xt. Featuring switch delectable over easy and hard knee compression curves along with extremely wide ranging threshold, ratio and output controls, the Dbx 160A is up to any task. The 19 segment, switchable input output led metering can be easily calibrated to any operating level.
And two 160As can be stereo coupled to process an entire mix or instruments mic'd in stereo, without shifting the left right image. The Dbx 160A's unique infinity inverse compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. Its musical sound, easy operation and unequaled versatility made the original Dbx 160 a world standard.
True RMS level detection provides the most natural sounding dynamics processing available, from subtle compression to brick wall peak limiting. Choose low ratios and over easy compression to transparently smooth out fluctuating vocal and instrumental levels.
Systems and broadcast signals. A detector input can be used with an equalizer for DE easing sibilant vocals and selectively smoothing out bosomy notes on acoustic guitar and bass. Or use the 160A's hard knee compression and high ratios up to and beyond 1 and over 60db gain reduction for bombproof protection against overload distortion in digital recording, PO. The 160A follows that tradition, while meeting the challenges of a digital world.