
( Brand: Joe Meek ), ( Model: SC2 V2.2 ), ( Inputs/outputs: Xlr In-out ), ( Country/region Of Manufacture: United Kingdom ), ( Effect/enhancement: Compression/limiting ), ( Type: Single-effect Processor ), ( Form Factor: Rack Mountable )
The JoeMeek SC2 V2.2 Stereo Compressor is a meticulously crafted piece of audio equipment that harks back to the golden era of British music technology. Designed by Joe Meek, a pioneering figure in the world of audio engineering, this compressor pays homage to his innovative spirit and legendary sound.
The SC2 V2.2 is a dual-channel compressor, equipped with independent controls for each channel, allowing for precise and versatile compression of stereo audio sources. The compressor features a unique 'Class A' circuit design, which delivers a warm, rich, and natural sound, reminiscent of the vintage compressors of yesteryears.
The SC2 V2.2 boasts a comprehensive set of controls, including a threshold knob, which allows you to set the level at which the compression kicks in; an attack knob, which controls how quickly the compressor reacts to the input signal; a release knob, which determines how long the compressor takes to return to its original gain once the input signal drops below the threshold level; and a ratio knob, which adjusts the amount of compression applied.
In addition to these, the SC2 V2.2 also features a side-chain high-pass filter, which helps to eliminate low-frequency content from the side-chain, reducing the risk of unwanted pumping effects; a gain reduction VU meter, which displays the amount of compression being applied in real-time; and an optional hard-knee mode, which provides a more aggressive compression effect.
The SC2 V2.2 is housed in a rugged, all-metal chassis, which not only ensures durability but also adds to its aesthetic appeal. The unit is equipped with XLR and 1/4-inch TRS inputs and outputs, making it compatible with a wide range of audio sources and devices.
In summary, the JoeMeek SC2 V2.2 Stereo Compressor is a versatile and powerful tool for audio professionals and enthusiasts, offering a rich, warm sound, and a comprehensive set of controls, all packed in a robust and stylish design. It's a must-have for anyone who appreciates the timeless sound of vintage compression and wants to add that magic touch to their recordings.
Pros of buying a Joe Meek SC2 V2.2 Stereo Compressor:1. Classic sound: The SC2 V2.2 is a recreation of Joe Meek's iconic stereo compressor, known for its distinctive sound and character.
2. Versatility: The compressor can be used on various sources, including vocals, drums, guitars, and mix buses, making it a versatile tool in the studio.
3. High-quality components: The SC2 V2.2 uses high-quality components, such as transformers and capacitors, which contribute to its warm and musical sound.
4. Controllability: The compressor offers a range of controls, including threshold, ratio, attack, release, and make-up gain, giving the user a good degree of control over the compression effect.
5. Fidelity: The SC2 V2.2 is known for its high-fidelity sound, which preserves the original character of the audio source while adding compression effects.
Cons of buying a Joe Meek SC2 V2.2 Stereo Compressor:1. Price: The SC2 V2.2 is a high-end compressor and can be quite expensive, which may be a limiting factor for some users.
2. Size: The compressor is a large unit, which may take up a significant amount of space in a studio or home recording setup.
3. Complexity: The SC2 V2.2 has a range of controls, which can be overwhelming for beginners or users who are not familiar with compressors.
4. Limited functionality: While the SC2 V2.2 is a versatile compressor, it does not offer additional features such as equalization or saturation, which may be found in other compressors.
Conclusion:The Joe Meek SC2 V2.2 Stereo Compressor is a high-quality and versatile tool for studio recording and mixing. Its classic sound, high-quality components, and range of controls make it a valuable addition to any studio or recording setup. However, its high price and size may be limiting factors for some users. If you are looking for a high-end compressor with a distinctive sound and a good degree of control, the SC2 V2.2 is worth considering.
Recommendation:If you are a professional engineer or producer and are looking for a high-end compressor with a classic sound and high-quality components, the Joe Meek SC2 V2.2 Stereo Compressor is a great choice. However, if you are a beginner or have a limited budget, you may want to consider other options with a more affordable price point and more user-friendly controls.
2, and it can be heard by pressing the 'dark' switch. With the control at maximum, gain is about 20db. Output gain controls the of final driver amplifiers. The intermediate positions give a range of compression effect.
This switched was named by a famous American record producer who first described Joe Meek effect as 'dark' sound. When set to 'fast' the attack time is slightly less than 1 millisecond. British stereo compression with lots of personality and some very deep cool functions, read below.
In 'comp' mode, the needle sits at '0' and indicates approximate amount of compression by moving downwards. It approximates to a ratio switch in conventional compressor but don't take this too literally. The original sc2 Joe Meek compressor had a unique sound. The sum and difference coded signal is compressed, then converted back into 'left right' format.
In out switch literally switches the whole compressor and of circuit. Compression is the drive control to optical system. The effect of this control is a threshold that increases overall compression. Release is one of the most important and noticeable controls compressor.
Its calibrated 1 to 11. The range of control is about 5 seconds. In 'VI' mode, the meter shows audio level before output gain control. With the control set at number 5, gain through compressor is about 0db no.
I'm offering this Joe Meek sc2 v2. The switch changes characteristic of release control making time curve for compression behave in a much less linear or predictable way when special 'dark mode' light is lit this mode. Slope alters the amount that optical system affects audio signal. This gave a stereo mix an excitement and urgency that had not been heard since the late 1950s early 60's.
This control reacts differently depending on the status of 'dark' switch. In normal mode, the compression release is smooth and linear, 'dark' starts gently, but releases quickly as gain approaches this gives an even more 'urgent' type of sound often adds apparent depth. Attack sets the time for compression to act. At 5, the compression can be severe.
At 'slow', the attack time is increased to about 15 milliseconds. Fast releases make the compression effect more noticeable and 'urgent' sounding. At 1, the compression is light and maximum possible about 6db. When the switch is 'in', input audio signal goes via compression circuitry and converted to 'sum difference' mode.
The compressor behaves in a similar way to valve tube limiter. This unique sound has been recreated in the sc2. Comp VI switch changes the mode of meter.
This ensures that the centre image stays perfectly in even under heavy compression. When the switch is 'out' and red led alight, audio signal goes directly from input connectors to output. 2 with the dark mode button and output volume on front panel. Controls explanations input gain sets the audio of stereo compressor.
The 'hard wired' by-pass switch allows instant comparison between original uncompressed signal, and compressed processed signal. Normal position is marked as '0. The output level range is high maximum can be as 26db but gain circuit designed so that when turned down, residual noise drops with signal making an extremely quiet system. The control can be used to set optimum volume level for driving any other equipment.
Dark' switch gives the option of using a 'conventional' sounding compression effect, or more dramatic and original 'Joe Meek' sound. It sets the point at which compression starts specifies where 'knee' is although with a photo optical compressor, knee not well defined as ratio varies audio level. One of the reasons for this sound was an unusual time curve when compression being released most obvious on cymbal crashes. It can be subtle or smash-y and everything in-between, amazing on bass, guitars, drums Percy whatever you throw over comes out popping with attitude.
At minimum 'fast', the release time is less than 200 milliseconds.