( Brand: Yamaha ), ( Manufacturer Part Number: SPX90II ), ( Type: Multi-effects Processor ), ( Number Of Channels: Less Than 5 )
The SPX-90 Reverb Effects Processor from Yamaha is a highly coveted piece of audio equipment, renowned for its versatility and exceptional sound quality. This model, specifically the SPX-90 II (U030869), is a revised version of the original SPX-90, incorporating improvements based on user feedback and technological advancements.
The SPX-90 II is a digital multi-effects processor that offers a wide range of reverb effects, from simple room and hall simulations to more complex and exotic effects like gated, plate, and spring reverb. It also includes a variety of other digital effects such as delay, chorus, and flanger, providing endless possibilities for sound manipulation.
The unit features an intuitive and easy-to-use interface, with a large LCD display and straightforward control layout. It allows for easy selection and adjustment of effects parameters, making it a great choice for both beginners and more experienced users.
One of the standout features of the SPX-90 II is its high-quality sound engine, which uses advanced digital signal processing techniques to deliver rich, natural-sounding reverb effects. This, coupled with its high-resolution digital sampling, ensures that the effects sound smooth and transparent, even at high rates of decay.
The SPX-90 II is also highly versatile, with a variety of input and output options. It features both XLR and 1/4" inputs and outputs, making it compatible with a wide range of audio equipment. It can be used as a standalone effects processor, or as an effects module in a larger audio setup.
In summary, the SPX-90 II Reverb Effects Processor from Yamaha is a powerful and versatile tool for any music producer, sound engineer, or live performer. Its wide range of effects, high-quality sound engine, and user-friendly interface make it a great choice for both beginners and professionals alike.
The Yamaha SPX-90 and SPX-90II reverb effects processors are classic digital units that have been popular among musicians for decades. Here are some pros and cons of considering these units:
SPX-90: Pros:1. Vintage charm: The SPX-90 has a classic look and feel, making it a popular choice for musicians who appreciate vintage gear.
2. Affordable: Compared to newer digital processors, the SPX-90 is relatively affordable, making it a great option for musicians on a budget.
3. Wide range of effects: The SPX-90 offers a wide range of reverb effects, including hall, room, and plate, as well as other effects like chorus, delay, and flanger.
4. Easy to use: The SPX-90 has a simple, intuitive interface that makes it easy to use, even for musicians who are new to digital effects processors.
Cons:1. Limited features: Compared to newer digital processors, the SPX-90 has limited features, including no MIDI capabilities and only two effects at a time.
2. No modern connectivity: The SPX-90 does not have modern connectivity options, such as USB or digital audio interfaces, which can limit its use in modern recording setups.
3. No presets: The SPX-90 does not have presets, which can make it time-consuming to find the right settings for different sound sources.
SPX-90II: Pros:1. Improved features: The SPX-90II has improved features over the original SPX-90, including more effects, MIDI capabilities, and the ability to save presets.
2. Better sound quality: The SPX-90II has better sound quality than the original SPX-90, thanks to improved DSP and digital processing.
3. Modern connectivity: The SPX-90II has modern connectivity options, such as USB and digital audio interfaces, which make it easier to use in modern recording setups.
Cons:1. More expensive: The SPX-90II is more expensive than the original SPX-90, which may be a deterrent for musicians on a budget.
2. Less vintage charm: The SPX-90II has a more modern look and feel than the original SPX-90, which may be less appealing to musicians who appreciate vintage gear.
Conclusion:If you're on a tight budget and want a simple, easy-to-use reverb processor with a classic look, the original SPX-90 may be a good option for you. If you're willing to spend a bit more and want more features and better sound quality, the SPX-90II may be a better choice. Ultimately, the best option for you depends on your budget and the specific needs of your recording setup.
Reverse gate effects can be achieved in which the gain increases gradually after the gate is triggered. Playback can be triggered from the front panel, via a foot switch, or input signal. Your 1 source for new and used recording gear.
Vibrato can give your keyboard, guitar, or wind instrument a distinctively vocal quality. Adar noise gate this program uses a gate circuit to pass or shut off a short segment of a longer input signal, or it can be used to pass only signals that exceed a specific level. The SPX90II recreates the reverberation produced in a variety of environments, adding natural, live fullness to your sound. Parametric eq this program enables you to precisely adjust the frequency response of any signal in four distinct bands a variable low pass filter middle band peaking eq with frequency, gain and q control high band peaking eq with frequency, gain and q control and a variable high pass filter.
This feature provides an effective way to smooth out the dynamics of a bass guitar, increase the sustain of a guitar, or tame a jumpy vocal performance. In addition to signal level triggering, it is also possible to trigger the gate via a foot switch connected to the front panel memory trigger jack. Reverb gate this program combines the SPX90II's superlative reverb sound with a programmable gate. The freeze b program even permits changing the pitch of the sampled sound from a midi keyboard, so you can actually play the sample as if it were a keyboard voice.
Panthers program automatically pans the second image between left and right in the stereo sound field. The gate, with programmable trigger level, hold and release times, can be used to shape the envelope of the reverb sound, creating some unique and unusual reverb contours that can really enrich your effect vocabulary. Popular effects like stereo flange, chorus, stereo phasing, tremolo, and symphonic are all available and can dramatically thicken the sound of any instrument.
Early reflections early reflection programs simulate the first few reflections that occur just after a sound is produced before the reflections become dense enough to be called reverberation adding punch and presence to vocals and instruments. Pan direction, speed, and depth can be programmed for instant recall. Echo similar to delay, echo brings added dimension and force to both instrumental and vocal music, producing limitless signal variations. Compressor compression limits the dynamic range of an input signal, boosting soft signals and reducing high signals to keep them within the specified range.
Delay vibrato the vibrato effect produces minute pitch variations that are adjustable over a wide range. Modulation effects are produced by periodically varying the amplitude, frequency, or delay time of an input signal. Freeze these are sampling programs which permit recording a sound segment in the memory. Fine adjustment in one cent increments is also possible one cent of a semitone pitch change permits detaining an instrument to create subtle chorus like effects and to create complete ensembles with a single instrument.
Pitch change pitch change programs alter the pitch of an input signal in semitone increments over a two octave range plus or minus one octave. This feature can be remotely controlled by a midi keyboard or sequencer.
The entire sound or specific portion of it may then be played back as required.