
( Brand: Elysia ), ( Manufacturer Part Number: 994030 ), ( Part Type: Compressor ), ( UPC: 886830756061 )
The Elysia Xpressor 500 Stereo Compressor (994030) is a high-end audio processing device designed for professional audio engineers and music producers. This compressor is part of Elysia's Xpressor 500 series, which is known for its exceptional sound quality and versatility.
The Elysia Xpressor 500 Stereo Compressor features a unique, fully discrete, class-A circuit design, which is based on the original Xpressor hardware unit. This design ensures a natural and musical compression effect, preserving the original character of the audio signal while providing control over dynamics.
The compressor has a total of six control knobs, including two independent threshold controls for the left and right channels, an output level control, a ratio control, an attack control, and a release control. The ratio control allows you to adjust the compression ratio from 1:1 (no compression) to 20:1, giving you a wide range of compression options. The attack control allows you to set the speed at which the compressor starts to affect the signal, while the release control determines how quickly the compressor releases after the signal falls below the threshold.
The Elysia Xpressor 500 Stereo Compressor also features a side-chain high-pass filter, which allows you to exclude low-frequency content from the compression process. This can help to prevent unwanted pumping effects and ensure a more natural compression result. The compressor also has a switchable hard/soft knee mode, which allows you to choose between a more subtle or more aggressive compression effect.
The Elysia Xpressor 500 Stereo Compressor is housed in a rugged, anodized aluminum chassis, which is designed to withstand the rigors of professional use. The compressor is also equipped with a large, high-resolution VU meter, which provides real-time visual feedback on the compression ratio and output level.
In summary, the Elysia Xpressor 500 Stereo Compressor (994030) is a high-quality, fully discrete, class-A compressor that offers a wide range of compression options and features. Its unique circuit design ensures a natural and musical compression effect, while its rugged construction and large VU meter make it a reliable and easy-to-use tool for professional audio engineers and music producers.
Pros of buying a Elysia Xpressor 500 Stereo Compressor (994030):1. High-quality sound: Elysia is known for producing high-quality audio equipment, and the Xpressor 500 is no exception. It offers a natural and musical sound that can enhance any audio material.
2. Versatility: The Xpressor 500 is a versatile compressor that can be used for a variety of purposes, including mixing, mastering, and tracking. It offers a wide range of compression settings, allowing you to tailor the sound to your needs.
3. Durability: Elysia equipment is built to last, and the Xpressor 500 is no exception. It features a rugged metal chassis and high-quality components, ensuring that it will withstand the rigors of regular use.
4. Easy to use: The Xpressor 500 is easy to use, with intuitive controls and a clear display. This makes it a great choice for both beginners and experienced engineers.
Cons of buying a Elysia Xpressor 500 Stereo Compressor (994030):1. Price: The Xpressor 500 is a high-end compressor, and it comes with a correspondingly high price tag. It may be out of reach for some budget-conscious engineers.
2. Limited features: While the Xpressor 500 offers a wide range of compression settings, it does not have some of the more advanced features found on some other compressors. For example, it does not offer multiband compression or automatic gain control.
Conclusion:The Elysia Xpressor 500 Stereo Compressor (994030) is a high-quality, versatile, and durable compressor that can enhance any audio material. Its intuitive controls and easy-to-use interface make it a great choice for both beginners and experienced engineers. However, its high price tag may be a deterrent for some budget-conscious engineers. Ultimately, whether or not the Xpressor 500 is the right choice for you will depend on your specific needs and budget.
Recommendation:If you are looking for a high-quality compressor that can handle a wide range of applications, the Elysia Xpressor 500 Stereo Compressor (994030) is a great option. Its natural and musical sound, versatility, and durability make it a worthwhile investment for any serious engineer. However, if you are on a tight budget, you may want to consider some of the more affordable compressors on the market. Ultimately, the best compressor for you is the one that meets your specific needs and fits within your budget.
If you used the traditional approach of full range compression, you'd probably end up over-compressing mix. 1: infix - after crossing the threshold, output signal is constantly held at threshold level without reacting to further increases input limiter. The mix controller of xpressor makes it possible to cross fade between unprocessed and compressed signals.
If the input level dropped below this limit, fade would be moved up correspondingly. The linear mode is a good choice for more aggressive dynamics control of dry signals, and it especially useful when you want to process signals that do not have long decay period. However, sometimes one setting doesn't always work based on changes in the program material.
This meter is based on leds too, but a special circuit design makes it possible to show intermediate values by modulating the brightness of. The compressor reduces signal quickly and prevents it from slipping through. The user gets an important tool for precise gain reduction monitoring finally relationship between acoustic and visual perception feels just right.
But because of the inertia needle, these meters are only useful with moderate time parameters. By mixing just a part of the compressed signal to original, major portion initial dynamic structure remains intact.
If the fade was limited by a piece of duct tape at 10 db, for example, it could only reduce signal up to this value. The louder input signal, lower output signal perfect for groovy compression effects. Guarantee used for a customer demo.
This function influences the attack parameter on short and loud impulses only in all other cases original setting of controller has priority.
When it is activated, limits the control voltage according to setting of gr limit controller. The advantage is that short and loud peaks e.
This affects the frequency spectrum, harmonics, and transient response at same time. This means that no matter how high the input level might become, amount of gain reduction will never exceed value you ve set.
As this function influences the behavior of output stages, effect it creates has an impact on complete processing results all eq stages. Inspired by Elysia flagship compressors: auto fast enables you to set the perfect attack. Features discrete class-a topology pristine audio quality auto fast-attack perfect attack in any situation switchable release characteristic smooth or crisp Nash the choice is yours warm mode transparency.
This function is basically a slew-rate limiter that reduces the speed of output amplifier stages. In this way the xpressor offers two different sound characters at push of a button: powerful transparency discrete class-a circuitry and saturated richness warm mode. Some very nice special effects like ducking or upward compression can be easily achieved with this, by only reducing the quieter parts without changing original dynamics.
As new in original box. A truly unique recipe. Do not attempt to open or repair the unit yourself.
In logarithmic release mode, the time constant shortens when amount of gain reduction increases. Used gear all is tested prior to listing for sale.
In auto fast mode the compressor can be very fast, but only when it is really needed.
This limiter is not placed in the audio path where you would usually find it, but control of compressor. The gain-reduction meter modulates its leds in their brightness order to show action of compressor an analog way: fast, with smooth transitions. The low-cut filter of xpressor reduces influence that low frequencies have on overall compression a very easy way to apply desired amount gain reduction without side effect track starting pump.
It maintains the subtleties of a performance while stabilizing dynamics. Let's say you are processing a mix that has very prominent kick drum. Plus, it can also be a handy tool for processing subgroups or even single signals too.
Perfect for very cool compression effects. With its many unique features taken from Elysia flagship products, you not only get great compression, but an amount of control on processing which is hardly ever experienced elsewhere.
The Elysia xpressor 500 is an extremely versatile stereo compressor available in 500-series format. The key phrase here is frequency selective compression. Full manufacturer warranty. Any attempt to do so will void warranty or guarantee.
A specialty of the xpressor is gain reduction limiter for control voltage . A unable low cut filter in the side chain of xpressor avoids over-compression and pumping when there is lot low-end energy mix. This way, loud parts in an arrangement keep their dynamics, since they will not be compressed beyond the limit of gain reduction limiter. The negative ratios characteristic curve bends and goes back down heavy pumping, backward sounds, etc.
The reason for this is great amount of low-end energy kick produces, causing high amounts gain reduction on entire mix. They also provide a useful range of possible settings and you ll just love the feel them. For example, if a very short attack time is chosen, the compressor can catch peaks, but sustaining signal will also be processed, which might result in audible distortion. Now you can use even extreme compression settings without killing a track by winning the loudness war.
No matter if you want set-and-forget, or to delve deep into the secrets of compression, xpressor is for. Stereo bus compression, processing single signals, approaching dynamics in creative ways Nash the xpressor shines all applications.
Longer settings reduce distortion significantly, but then the compressor is set too slow for catching fast impulses.
The xpressor solves these problems by using a dynamic analog variant that combines benefits of both VI meters and led chains. All potentiates in the xpressor have 41 steps that are a great help for recalling your previous sessions fast and precisely. Drums have a fast release time, while the remaining material is processed with slower.
A unique, 2-channel 500 series compressor that gives you perfect attack for any source material. Frenetic flicker indicates that the actual value must be somewhere in between.
This technique is especially useful in mastering, or compressing a mix before mastering. Its a switchable, semi-automated attack based on the value you set by ear. The xpressor offers a second switchable sound flavor by altering its frequency spectrum, harmonics, and transient response. Negative ratios what exactly does that mean. To get a better understanding of this function, it makes sense understand the ratio control ls quo normal compressor does: 1:1 - signal remains linear, there is no compression going on.
This means that it will not affect the audio signal itself, but way in which be compressed. Parallel compression: available directly on the unit: direct and compressed signal can be blended in any desired relation by simply turning mix controller. Another popular form of meter is the led chain.
Its discrete audio path running in constant class-a mode provides superior quality, which combines a clear and open sound with lot of punch. The linear mode has a straight release profile without slower tapering characteristic of log. By way of example, imagine a fade on mixing console with your hand riding the to play compressor.
This means a true analog way of showing the operation compressor: very fast, but with smooth transitions.
In addition, it operates permanent class a mode. To get a grip on the extreme destruction this can cause, engaging gain reduction limiter is just right idea. A single led in the chain can therefore only show an imprecise value defined interval.
Its smooth performance makes the log release especially useful for mastering and stereo bus compression.
However, if the input signal got even louder, fade could not be moved down any further because of duct tape limit, and then output would become louder again in correspondence with. A true Elysia specialty, the audio path of xpressor 500 is completely based on discrete circuitry and does not use any integrated circuits at all to color signal. Log release: this alternative characteristic of the release curve follows a logarithmic course instead standard linear function, resulting in very gentle compression.
Fast transients are slowed down a bit and the overall sound appears more round merged. Unfortunately it has a disadvantage, too: when the standard driver units are used, change between two values always happens abruptly. Since its difficult to achieve perfect results on different material with only one type of release curve, the xpressor 500 offers two options chose from: logarithmic and linear.